1
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LAST SEASON ON

2
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LOVE and HIP-HOP: ATLANTA...

3
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BRING IT DOWN 'CAUSE MY

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HEAD WILL START SPINNING AND

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I'LL CHOP YOUR TRACHEA.

6
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THESE EXECUTIVES WANT

7
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TO SIGN YOU.

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THEY WANT TO GIVE YOU

9
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AN OPPORTUNITY.

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THEY ARE ABSOLUTELY TERRIFIED.

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I STILL HAVE TO FIGHT

12
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DOWN THIS STEREOTYPE

13
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THAT K.MICHELLE IS OUTRIGHT

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CRAZY.

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[bleep] DON'T CALL ME BITCH.

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WE'RE HAPPY.

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WE'RE MOVING FORWARD.

18
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AND IN THE END,

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I'M GONNA HAVE A RING.

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YOU REALLY THINK I'M FEELING

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THAT BITCH?

22
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MA, DON'T CALL HER NO BITCH.

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I DON'T WANT YOU TO GET HURT,

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BUT IF YOU DO,

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I WANT YOU TO BE PREPARED.

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WE HAVE A RELATIONSHIP

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THAT'S A LITTLE BEYOND

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FRIENDSHIP.

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HAVE YOU HIT IT YET?

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WE JUST FRIENDS.

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JUST FRIENDS?

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I JUST LOVE YOU.

33
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I LOVE ERICA DIXON.

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HOW YOU FEEL ABOUT ME?

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I LOVE YOU.

36
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BOTH OF YOUR ROLES

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ARE GONNA CROSS.

38
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JUST BE READY.

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* GIRL, I HOPE AND PRAY

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♪ THAT LOVE TREATS YOU FAIR

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MAKING LOVE ALL NIGHT

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TILL THE SUN COME UP.

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LET'S GET TO THAT.

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IS YOU RIDING WITH ME?

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IS YOU DOWN?

46
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YOU KNOW I'M DOWN.

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ARE YOU [bleep] THIS GIRL?

48
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NO, I'M NOT.

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I KNOW WHO BABY I HAVE

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IN MY STOMACH,

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AND YOU KNOW TOO.

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YOU ALWAYS WANT TO [bleep]

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BITCHES, BUT YOU NEVER WANT

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TO HANDLE [bleep] AFTER

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THE FACT.

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YOU GOT TO BE MONOGAMOUS,

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MY BROTHER.

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MONOGAMOUS.

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IN MY PERFECT WORLD,

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I CAN GET THEM TO WORK TOGETHER.

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IS YOU TRYING TO CONTINUE

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ON A RELATIONSHIP WITH HER?

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I AIN'T SEE NOTHING WRONG

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WITH IT.

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I DON'T WANT TO BE IN A

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RELATIONSHIP WITH YOU ANYMORE.

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I'M DONE.

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* YEAH

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* 'SUP

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* HUH

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* HUH

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♪ THERE AIN'T NOTHING LIKE

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♪ HIP-HOP MUSIC

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♪ MUSIC

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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[thunder rumbling]

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[earnest pop music]

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♪

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* SITTING IN CLASS

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♪ TRYING TO FIGURE OUT

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♪ WHAT IT ALL MEANS

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♪ 'CAUSE IT'S ALL GREED TO ME

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♪ I GET THE FEELING...

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WHEN I LOOK BACK ON LAST

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YEAR AND EVERYTHING THAT I WENT

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THROUGH, I CAN HONESTLY SAY

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THAT LIFE IS GREAT.

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I'VE BEEN REALLY FOCUSING

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ON MY TOP PRIORITIES:

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MYSELF AND MY DAUGHTER EVA.

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I AM CLEANING HOUSE,

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AND THE BEST IS YET TO COME.

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* CAN'T LET YOU

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♪ MAKE MY CHOICES

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♪ I NEED TO HAVE MY OWN VOICE

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MOMMY.

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HEY.

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* I JUST WANT TO BE TRUE

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♪ TO ME

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THIS IS A PIG.

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OINK, OINK, OINK, OINK.

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HELLO.

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I KNOW WHAT YOU'RE ALL THINKING.

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THIS AIN'T THAT.

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LAST NIGHT I WENT TO PICK UP

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EVA FROM STEVIE'S HOUSE.

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STEVIE'S SISTER TERESA

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WATCHES HER WHEN I'M WORKING

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OR TRAVELING.

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IT WAS LATE.

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I DIDN'T WANT TO WAKE THE BABY.

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STEVIE WASN'T THERE,

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SO I DECIDED TO CRASH.

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A FEW MINUTES LATER,

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JOSELINE STORMS IN THE BEDROOM,

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SCREAMING AND HOLLERING ABOUT

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ME BEING IN HER BED.

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SHE DOESN'T KNOW WHAT'S GOING

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ON ABOUT ME BE LAYING

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IN THE BED.

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LIKE, SHE ABOUT TO GO TO SLEEP

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OUTSIDE THERE.

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YEAH.

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YOU KNOW HOW SHE GETS.

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SHE FEELS KIND OF THREATENED

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BY YOU.

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AND SHE FELT LIKE, YOU KNOW,

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SHE HAD BEEN HERE,

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AND THEN YOU COME AROUND.

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SHE WAS STAYING HERE?

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I MEAN, YEAH, SHE BEEN HERE.

141
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ME AND JOSELINE,

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WE MAKING A LOT OF MOVES

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TOGETHER.

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WE DOING SHOWS.

145
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WE DOING PHOTO SHOOTS.

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WE IN THE STUDIO TOGETHER.

147
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SO I FIGURED IT WAS ONLY RIGHT

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THAT SHE MOVE IN.

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YOU KNOW, IT'S A BUSINESS CRIB.

150
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YOU KNOW, WRITE IT OFF.

151
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WE WORKING.

152
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WE GETTING MONEY TOGETHER.

153
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WHY DOES YOUR WORK HAVE TO

154
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TAKE PLACE IN HERE?

155
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SHE DOESN'T BELONG AROUND

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THE CHILD, PERIOD.

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WELL, IT GOT A LITTLE

158
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OUT OF HAND LAST NIGHT.

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SHE CROSSED THE LINE WHEN

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SHE SAID THAT, YOU KNOW, EVA

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DIDN'T MATTER.

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IT'S ALL ABOUT EVA.

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THAT'S THE ONE THING

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WE CAN AGREE ON.

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JOSELINE GONNA GET

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PUT IN HER PLACE AND SHE'S

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GONNA UNDERSTAND THAT SHE

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CAN'T COME AROUND VIOLATING

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FAMILY.

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OKAY, THIS IS MY THING.

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I DON'T WANT JOSELINE

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AROUND EVA.

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SO IF I HAVE TO BE HERE

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FOR HER NOT TO BE HERE AROUND

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MY DAUGHTER, THEN...

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THAT'S WHERE THAT'S AT.

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SO YOU GONNA BE STAYING

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HERE NOW?

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I WILL DO WHAT I NEED TO DO

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FOR HER.

181
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FOR EVA.

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YEAH.

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COME HERE.

184
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WHAT'S UP?

185
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TELL ME WHAT'S UP.

186
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TELL ME WHAT YOU WANT.

187
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TELL ME WHAT YOU WANT, BABY.

188
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WHATEVER YOU WANT.

189
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GET UNDER THE COVERS.

190
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GO HIDE.

191
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GO HIDEY.

192
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GO HIDE.

193
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GO HIDE FROM THE MONSTERS.

194
00:05:01,234 --> 00:05:02,403
THE MONSTERS COMING.

195
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IS MY SITUATION PERFECT?

196
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HARDLY.

197
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BUT ONE THING'S FOR SURE.

198
00:05:08,041 --> 00:05:09,176
STEVIE AND I ARE CONNECTED

199
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BY OUR DAUGHTER EVA,

200
00:05:10,578 --> 00:05:12,980
AND AS LONG AS HE AGREES

201
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TO KEEP JOSELINE AWAY

202
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FROM MY DAUGHTER,

203
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THEN I'M GOOD.

204
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THAT'S ALL I ASK.

205
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WHAT ABOUT ME AND YOU?

206
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THAT'S A WHOLE NOTHER

207
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CONVERSATION.

208
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CAN WE BE THE BEAR

209
00:05:23,524 --> 00:05:26,627
AND THE PIG?

210
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[laughs]

211
00:05:29,296 --> 00:05:30,531
WELL, I JUST WANT TO GET

212
00:05:30,531 --> 00:05:31,865
LITTLE PIGGY AND THE BEAR

213
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BACK TOGETHER AGAIN.

214
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YOU AND YOUR ANALOGIES

215
00:05:34,067 --> 00:05:36,036
WITH PIGS AND BEARS AND...

216
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LOOK.

217
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WELL, THEN IF THE GORILLA

218
00:05:38,572 --> 00:05:39,707
IS NOT IN THE MIDDLE,

219
00:05:39,707 --> 00:05:42,275
THEN MAYBE WE CAN DO THAT.

220
00:05:42,275 --> 00:05:44,778
RAWR!

221
00:05:44,778 --> 00:05:45,779
WHOA.

222
00:05:45,779 --> 00:05:47,815
RAWR!

223
00:05:52,219 --> 00:05:53,020
[laughs]

224
00:05:53,020 --> 00:05:54,021
PUT THE LOUIS STEWART

225
00:05:54,021 --> 00:05:55,423
ON THE HANGER.

226
00:05:55,423 --> 00:05:56,557
THE LOUIS STEWART?

227
00:05:56,557 --> 00:05:58,225
I THOUGHT THAT WAS GUCCI.

228
00:05:58,225 --> 00:05:59,326
SCRAPPY MOVED BACK IN.

229
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WE ENGAGED, AND IT'S OFFICIAL

230
00:06:01,429 --> 00:06:02,195
LIKE THE WHISTLE.

231
00:06:02,195 --> 00:06:02,996
LIKE, YOU SEE IT?

232
00:06:02,996 --> 00:06:03,831
IT'S REAL.

233
00:06:03,831 --> 00:06:05,666
WAIT TILL YOU SEE THE WEDDING.

234
00:06:05,666 --> 00:06:07,701
GUCCI, LOUIS, POLO.

235
00:06:07,701 --> 00:06:09,302
IT NEEDS TO STOP RIGHT HERE...

236
00:06:09,302 --> 00:06:10,003
OH, NO, BABE.

237
00:06:10,003 --> 00:06:10,704
'CAUSE WE NEED TO START

238
00:06:10,704 --> 00:06:11,505
PLANNING THE WEDDING.

239
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SO WEAR EVERYTHING TWICE?

240
00:06:13,340 --> 00:06:14,875
ARE YOU SERIOUS?

241
00:06:14,875 --> 00:06:16,510
HEY, I'M A ENTERTAINER.

242
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I GOT MY WHOLE SWAG GAME

243
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DOWN PAT, YOU KNOW WHAT I'M

244
00:06:19,112 --> 00:06:19,813
SAYING?

245
00:06:19,813 --> 00:06:22,215
EXPENSIVE SWAG GAME.

246
00:06:22,215 --> 00:06:23,617
OH, MY SWIZZ-NAH-EE IS ON

247
00:06:23,617 --> 00:06:25,653
TIZZ-NAH-EE.

248
00:06:26,954 --> 00:06:28,622
MY SWAG IS ON TEN.

249
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WE TRYING TO PLAN THIS

250
00:06:29,690 --> 00:06:31,024
WEDDING.

251
00:06:31,024 --> 00:06:31,825
THIS SPENDING HABIT

252
00:06:31,825 --> 00:06:32,826
RIGHT HERE...

253
00:06:32,826 --> 00:06:33,661
DON'T YOU THINK I NEED

254
00:06:33,661 --> 00:06:34,695
TO LOOK GOOD?

255
00:06:34,695 --> 00:06:35,463
YOU CAN LOOK GOOD

256
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ON A BUDGET.

257
00:06:36,096 --> 00:06:37,465
BALLER ON A BUDGET.

258
00:06:37,465 --> 00:06:39,467
WE GOT A BUDGET?

259
00:06:39,467 --> 00:06:41,034
BUT I'M BUYING YOU STUFF.

260
00:06:41,034 --> 00:06:41,869
YOU KNOW WHAT I'M SAYING?

261
00:06:41,869 --> 00:06:43,937
I'M BUYING YOU BAGS

262
00:06:43,937 --> 00:06:45,873
AND SHOES AND WHATEVER

263
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YOU WANT, YOU KNOW WHAT I'M

264
00:06:46,674 --> 00:06:47,475
SAYING?

265
00:06:47,475 --> 00:06:48,542
YOU DON'T SEE ANYTHING ELSE

266
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NEW?

267
00:06:49,376 --> 00:06:50,611
I'VE BEEN SAVING.

268
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WHAT IS THAT?

269
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I'VE BEEN SAVING.

270
00:06:52,112 --> 00:06:53,180
I WAS TRYING TO SAVE,

271
00:06:53,180 --> 00:06:54,181
BUT I BOUGHT THAT.

272
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YOU FEEL ME?

273
00:06:55,015 --> 00:06:55,849
BUT ANYWAY, LISTEN.

274
00:06:55,849 --> 00:06:56,684
AT THE END OF THE DAY--

275
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WE GOT TO COME UP

276
00:06:57,384 --> 00:06:58,251
WITH A NUMBER THAT WE IN

277
00:06:58,251 --> 00:07:00,554
AGREEANCE ON THAT YOU--

278
00:07:00,554 --> 00:07:02,222
YOU KNOW, WHAT'S YOUR LIMIT?

279
00:07:02,222 --> 00:07:02,923
WHAT YOU MEAN,

280
00:07:02,923 --> 00:07:03,591
WHAT'S MY LIMIT?

281
00:07:03,591 --> 00:07:04,525
WHAT'S--LIKE, FOR CLOTHING,

282
00:07:04,525 --> 00:07:05,693
SHOES?

283
00:07:05,693 --> 00:07:09,262
I SPEND...

284
00:07:09,262 --> 00:07:12,365
$1,000 A MONTH?

285
00:07:12,365 --> 00:07:14,334
NO.

286
00:07:14,334 --> 00:07:15,769
LET'S SAY $2,000.

287
00:07:15,769 --> 00:07:16,604
NO.

288
00:07:16,604 --> 00:07:17,505
'CAUSE TWO WEEKS GO BY--

289
00:07:17,505 --> 00:07:18,205
THAT'S JUST TOO MUCH.

290
00:07:18,205 --> 00:07:19,139
I CAN DO $1,000.

291
00:07:19,139 --> 00:07:20,007
$1,500.

292
00:07:20,007 --> 00:07:21,742
LET'S DO 12.

293
00:07:21,742 --> 00:07:23,076
WE CAN DO 12,

294
00:07:23,076 --> 00:07:24,177
AND THEN EVERY NOW AND THEN,

295
00:07:24,177 --> 00:07:26,213
JUMP UP TO 15.

296
00:07:37,190 --> 00:07:39,627
[singing in Spanish]

297
00:07:41,228 --> 00:07:43,564
JOSELINE'S A MEAN, LEAN,

298
00:07:43,564 --> 00:07:44,998
PAPER-MAKING MACHINE.

299
00:07:44,998 --> 00:07:46,534
AND THE TWO OF US TOGETHER,

300
00:07:46,534 --> 00:07:47,200
WE'RE THE HOTTEST TEAM

301
00:07:47,200 --> 00:07:49,336
IN THE INDUSTRY.

302
00:07:49,336 --> 00:07:50,604
BUT SHE HAS TO REMEMBER

303
00:07:50,604 --> 00:07:51,705
THERE'S A LINE THAT WE DRAW

304
00:07:51,705 --> 00:07:53,306
THAT CAN NEVER GET CROSSED.

305
00:07:53,306 --> 00:07:55,576
[singing in Spanish]

306
00:07:55,576 --> 00:07:56,276
BREAK IT DOWN, BOO.

307
00:07:56,276 --> 00:07:58,045
SWING THAT HAIR.

308
00:07:58,045 --> 00:07:59,747
WORK, WORK, WORK.

309
00:07:59,747 --> 00:08:00,648
WHAT'S UP, STEVIE?

310
00:08:00,648 --> 00:08:01,549
WHEN YOU START TALKING

311
00:08:01,549 --> 00:08:02,550
ABOUT EVA, YOU SAY SOMETHING

312
00:08:02,550 --> 00:08:04,652
DISRESPECTFUL ABOUT MY DAUGHTER,

313
00:08:04,652 --> 00:08:05,986
THAT'S WHEN YOU CROSS THAT LINE.

314
00:08:05,986 --> 00:08:07,320
YOU GOT TO BE DEALT WITH.

315
00:08:07,320 --> 00:08:07,988
WHAT WAS THAT ABOUT

316
00:08:07,988 --> 00:08:08,922
THE OTHER DAY?

317
00:08:08,922 --> 00:08:09,857
WHAT ARE YOU TALKING ABOUT?

318
00:08:09,857 --> 00:08:10,691
YOU WAS GETTING OUT OF LINE

319
00:08:10,691 --> 00:08:11,592
IN FRONT OF MY DAUGHTER.

320
00:08:11,592 --> 00:08:12,292
OH, PLEASE.

321
00:08:12,292 --> 00:08:12,993
OH, NO, NO, NO.

322
00:08:12,993 --> 00:08:13,761
OH, PLEASE.

323
00:08:13,761 --> 00:08:14,562
SO WHO LIVED THERE

324
00:08:14,562 --> 00:08:15,796
FOR THREE MONTHS?

325
00:08:15,796 --> 00:08:16,897
YOU.

326
00:08:16,897 --> 00:08:17,565
EVERY DAY.

327
00:08:17,565 --> 00:08:18,265
YES.

328
00:08:18,265 --> 00:08:21,401
SO WHY AM I IN MY HOUSE

329
00:08:21,401 --> 00:08:22,603
STAYING WITH YOU,

330
00:08:22,603 --> 00:08:23,971
AND YOU ALLOW YOUR BABY MAMA TO

331
00:08:23,971 --> 00:08:24,972
COME UPSTAIRS WHERE I'M SUPPOSED

332
00:08:24,972 --> 00:08:26,106
TO BE STAYING NOW FOR THE PAST

333
00:08:26,106 --> 00:08:26,807
THREE MONTHS?

334
00:08:26,807 --> 00:08:27,575
SHE WAS TIRED.

335
00:08:27,575 --> 00:08:29,476
I TOOK--STEVIE, PLEASE.

336
00:08:29,476 --> 00:08:30,578
YOU ALWAYS WANT TO GO WITH

337
00:08:30,578 --> 00:08:31,779
THE BACK-AND-FORTH.

338
00:08:31,779 --> 00:08:34,314
MIMI, MI MADRE THE MAID.

339
00:08:34,314 --> 00:08:35,482
AIN'T JOSELINE A PUERTO RICAN

340
00:08:35,482 --> 00:08:36,249
PRINCESS?

341
00:08:36,249 --> 00:08:36,950
HONEY, THIS IS TOO MUCH.

342
00:08:36,950 --> 00:08:37,618
THIS IS TOO MUCH.

343
00:08:37,618 --> 00:08:38,652
I MADE YOU THE PRINCESS,

344
00:08:38,652 --> 00:08:39,653
BABY.

345
00:08:39,653 --> 00:08:40,320
I BEEN A PRINCESS

346
00:08:40,320 --> 00:08:41,054
WITHOUT YOU.

347
00:08:41,054 --> 00:08:41,755
WHO THE [bleep] HE THINK

348
00:08:41,755 --> 00:08:42,422
HE TALKING TO?

349
00:08:42,422 --> 00:08:43,591
YOU NEVER ASKED ME TO LEAVE.

350
00:08:43,591 --> 00:08:44,892
I PACKED MY [bleep] UP

351
00:08:44,892 --> 00:08:46,226
AND LEFT THE HOUSE.

352
00:08:46,226 --> 00:08:47,695
NOW, IF YOU WANT TO USE THAT

353
00:08:47,695 --> 00:08:49,096
AS YOUR EXCUSE, BE MY GUEST.

354
00:08:49,096 --> 00:08:50,263
I DON'T GIVE A [bleep].

355
00:08:50,263 --> 00:08:52,065
GO BE WITH YOUR MAID.

356
00:08:52,065 --> 00:08:52,966
SHE CAN HAVE THAT [bleep].

357
00:08:52,966 --> 00:08:54,267
SHE THIRSTY, SHE HUNGRY,

358
00:08:54,267 --> 00:08:54,935
AND SHE NEEDS YOU.

359
00:08:54,935 --> 00:08:55,669
I DON'T.

360
00:08:55,669 --> 00:08:56,503
GOOD-BYE.

361
00:08:56,503 --> 00:08:57,605
GO TELL HER TO CLEAN OUT.

362
00:08:57,605 --> 00:08:58,405
ONCE YOU GET ME SOME MONEY.

363
00:08:58,405 --> 00:08:59,206
MATTER OF FACT, TELL HER TO

364
00:08:59,206 --> 00:08:59,873
COME CLEAN UP--

365
00:08:59,873 --> 00:09:00,741
CHOP TO IT, BABY, GO WORK.

366
00:09:00,741 --> 00:09:01,408
OH, BITCH, PLEASE.

367
00:09:01,408 --> 00:09:02,075
BYE.

368
00:09:02,075 --> 00:09:02,810
GET TO WORK, [bleep].

369
00:09:02,810 --> 00:09:03,644
RIGHT. YOU'RE RIGHT.

370
00:09:03,644 --> 00:09:04,645
I'MA ALWAYS BE A HO,

371
00:09:04,645 --> 00:09:05,646
AND YOU A DIRTY ASS PIMP.

372
00:09:05,646 --> 00:09:06,614
GET MY MONEY, [bleep].

373
00:09:06,614 --> 00:09:07,447
GO [bleep]

374
00:09:07,447 --> 00:09:08,115
YOUR DIRTY ASS BITCH.

375
00:09:08,115 --> 00:09:08,849
YOUR LIFE IS MINE.

376
00:09:08,849 --> 00:09:09,617
I GAVE IT TO YOU.

377
00:09:09,617 --> 00:09:10,283
STEVIE, GET THE [bleep]

378
00:09:10,283 --> 00:09:10,984
UP OUT OF HERE

379
00:09:10,984 --> 00:09:11,952
SO I CAN GET BACK TO WORK

380
00:09:11,952 --> 00:09:12,820
WITH YOUR MONKEY ASS.

381
00:09:12,820 --> 00:09:13,520
BYE.

382
00:09:13,520 --> 00:09:15,055
RICARDO, CAN WE GET STARTED?

383
00:09:15,055 --> 00:09:15,956
LADIES, DON'T LET HIM DISTURB

384
00:09:15,956 --> 00:09:16,724
YOU.

385
00:09:16,724 --> 00:09:18,025
LET'S DO IT.

386
00:09:18,025 --> 00:09:19,259
HOW DO YOU WORK THE BUSINESS

387
00:09:19,259 --> 00:09:20,728
OUT WITH THE RELATIONSHIP?

388
00:09:20,728 --> 00:09:21,461
I LOVE STEVIE.

389
00:09:21,461 --> 00:09:22,763
I APPRECIATE HIM.

390
00:09:22,763 --> 00:09:23,496
BUT I JUST DON'T WANT TO BE

391
00:09:23,496 --> 00:09:24,264
WITH HIM.

392
00:09:24,264 --> 00:09:25,232
CURRENTLY I'M SINGLE

393
00:09:25,232 --> 00:09:26,767
AND I'M ALWAYS LOOKING FOR LOVE,

394
00:09:26,767 --> 00:09:28,468
'CAUSE I LIKE TO HAVE SEX.

395
00:09:28,468 --> 00:09:29,336
YOU GONNA MAKE THIS BITCH

396
00:09:29,336 --> 00:09:30,170
COME HERE WHERE I STAY

397
00:09:30,170 --> 00:09:31,371
AND YOUR DAUGHTER AND [bleep]

398
00:09:31,371 --> 00:09:32,740
DISRESPECT?

399
00:09:32,740 --> 00:09:33,707
WHY CAN'T YOU TAKE THE

400
00:09:33,707 --> 00:09:35,275
INITIATIVE TO GET THE BITCH

401
00:09:35,275 --> 00:09:36,810
OUT OF THE [bleep] HOUSE?

402
00:09:36,810 --> 00:09:38,378
DO YOU STILL LOVE HIM?

403
00:09:38,378 --> 00:09:40,280
IT DON'T GO AWAY OVERNIGHT.

404
00:09:40,280 --> 00:09:42,249
NEVER GIVE UP.

405
00:09:42,249 --> 00:09:43,651
WELL, WHAT ARE YOU GONNA DO?

406
00:09:43,651 --> 00:09:46,053
JUST WATCH OUT.

407
00:09:46,053 --> 00:09:48,656
CHANGE IS A-COMIN'.

408
00:09:59,532 --> 00:10:00,600
ONE THING THAT EVERYBODY

409
00:10:00,600 --> 00:10:01,835
NEEDS TO KNOW ABOUT ME IS,

410
00:10:01,835 --> 00:10:04,071
WHEN I LOVE, I GO HARD.

411
00:10:04,071 --> 00:10:05,639
AT ONE POINT, I WENT

412
00:10:05,639 --> 00:10:07,074
DEFINITELY HARD FOR SCRAPPY.

413
00:10:07,074 --> 00:10:08,175
HE WAS MY BEST FRIEND,

414
00:10:08,175 --> 00:10:09,409
MY CONFIDANTE, MY LOVER.

415
00:10:09,409 --> 00:10:10,577
HE WAS MY EVERYTHING.

416
00:10:10,577 --> 00:10:11,912
SO WHEN SCRAPPY PROPOSED

417
00:10:11,912 --> 00:10:13,180
TO ERICA, I WAS SO SHOCKED

418
00:10:13,180 --> 00:10:14,414
AND CONFUSED ABOUT WHAT

419
00:10:14,414 --> 00:10:15,382
WAS GOING ON.

420
00:10:15,382 --> 00:10:16,383
I DECIDED TO VISIT THE ONE

421
00:10:16,383 --> 00:10:18,118
PERSON I KNOW COULD SHED

422
00:10:18,118 --> 00:10:21,154
SOME LIGHT ON THIS SITUATION.

423
00:10:21,154 --> 00:10:21,889
I DON'T EVEN UNDERSTAND

424
00:10:21,889 --> 00:10:23,623
WHERE THIS PROPOSAL CAME FROM.

425
00:10:23,623 --> 00:10:24,792
I NEVER DID NOTHING TO DECEIVE

426
00:10:24,792 --> 00:10:25,592
HIM.

427
00:10:25,592 --> 00:10:27,127
I'VE BEEN LOYAL TO HIM.

428
00:10:27,127 --> 00:10:29,129
HE NEVER TOLD ME NOT ONE TIME,

429
00:10:29,129 --> 00:10:30,330
NOT ONE TIME, HE WAS DEALING

430
00:10:30,330 --> 00:10:32,199
WITH ERICA AT ALL.

431
00:10:32,199 --> 00:10:34,134
DID YOU KNOW?

432
00:10:34,134 --> 00:10:35,102
NO, I DIDN'T.

433
00:10:35,102 --> 00:10:35,969
DID HE TELL YOU?

434
00:10:35,969 --> 00:10:36,837
DID HE ASK YOU?

435
00:10:36,837 --> 00:10:37,871
DID HE SAY ANYTHING?

436
00:10:37,871 --> 00:10:39,740
NO, IT WAS A SURPRISE TO ME.

437
00:10:39,740 --> 00:10:40,507
AND HOW DO YOU FEEL ABOUT

438
00:10:40,507 --> 00:10:41,208
THAT?

439
00:10:41,208 --> 00:10:42,710
I FEEL BETRAYED.

440
00:10:42,710 --> 00:10:45,478
I FEEL LIKE I'M THE UNDERDOG.

441
00:10:45,478 --> 00:10:47,047
BUT AT THE END OF THE DAY,

442
00:10:47,047 --> 00:10:49,016
HE IS THE PRINCE OF THE SOUTH,

443
00:10:49,016 --> 00:10:52,285
AND I CANNOT OVERTHROWN HIM.

444
00:10:52,285 --> 00:10:53,186
HE'S GROWN.

445
00:10:53,186 --> 00:10:54,287
HE'S ON HIS OWN.

446
00:10:54,287 --> 00:10:55,622
BUT HIM AND ERICA

447
00:10:55,622 --> 00:10:57,624
ARE NOT A GOOD COMBINATION.

448
00:10:57,624 --> 00:10:59,292
AT THE END OF THE DAY,

449
00:10:59,292 --> 00:11:01,028
MOMMA DOES KNOW BEST.

450
00:11:01,028 --> 00:11:03,463
THE PRINCE HAS DECIDED

451
00:11:03,463 --> 00:11:04,564
FOR RIGHT NOW,

452
00:11:04,564 --> 00:11:05,232
BUT IT'S NOT--

453
00:11:05,232 --> 00:11:05,966
[bleep] THAT.

454
00:11:05,966 --> 00:11:06,734
LISTEN.

455
00:11:06,734 --> 00:11:08,001
IT IS NOT THE WISH OF THE

456
00:11:08,001 --> 00:11:09,837
KINGDOM, IT IS NOT THE WISH

457
00:11:09,837 --> 00:11:10,971
OF THE QUEEN,

458
00:11:10,971 --> 00:11:12,539
THAT THIS [bleep] GO DOWN.

459
00:11:12,539 --> 00:11:13,606
SO YOU DON'T APPROVE IT?

460
00:11:13,606 --> 00:11:15,442
NO, I DO NOT.

461
00:11:15,442 --> 00:11:18,411
CAN I ASK YOU SOMETHING?

462
00:11:18,411 --> 00:11:20,848
DO YOU STILL LOVE HIM?

463
00:11:20,848 --> 00:11:23,150
IT DON'T GO AWAY OVERNIGHT.

464
00:11:23,150 --> 00:11:24,117
I TRUSTED EVERYTHING

465
00:11:24,117 --> 00:11:25,085
IN YOUR SON.

466
00:11:25,085 --> 00:11:27,254
I TRUSTED EVERYTHING HE TOLD ME.

467
00:11:27,254 --> 00:11:29,757
AND EVERYTHING WAS A LIE.

468
00:11:29,757 --> 00:11:30,523
I FEEL LIKE I DON'T GOT

469
00:11:30,523 --> 00:11:31,591
NOBODY TO TALK TO.

470
00:11:31,591 --> 00:11:32,459
I FEE LIKE I DON'T EVEN

471
00:11:32,459 --> 00:11:33,393
HAVE A FRIEND.

472
00:11:33,393 --> 00:11:34,194
IT'S LIKE HE MESSED IT UP

473
00:11:34,194 --> 00:11:34,928
FOR EVERYBODY.

474
00:11:34,928 --> 00:11:35,763
BUT LISTEN.

475
00:11:35,763 --> 00:11:37,230
THAT WAS MY HEART.

476
00:11:37,230 --> 00:11:40,267
THAT WAS MY FRIEND.

477
00:11:40,267 --> 00:11:41,634
AND I LOST, YOU KNOW--

478
00:11:41,634 --> 00:11:42,770
I LOST A PART OF ME.

479
00:11:42,770 --> 00:11:43,503
BUT IT'S COOL.

480
00:11:43,503 --> 00:11:45,072
I'LL GET OVER IT.

481
00:11:45,072 --> 00:11:45,973
I WILL.

482
00:11:45,973 --> 00:11:47,374
BUT IF YOU COME INTO THIS AREA,

483
00:11:47,374 --> 00:11:48,441
I'LL PROBABLY PUNCH YOU IN YOUR

484
00:11:48,441 --> 00:11:50,443
[bleep] FACE.

485
00:11:50,443 --> 00:11:53,814
NEVER GIVE UP ON YOU.

486
00:11:53,814 --> 00:11:55,215
NEVER GIVE UP.

487
00:11:55,215 --> 00:11:56,249
YOU A WARRIOR.

488
00:11:56,249 --> 00:11:57,117
I MEAN, I AM,

489
00:11:57,117 --> 00:11:57,951
BUT I'M NOT FITTING TO FIGHT

490
00:11:57,951 --> 00:11:59,019
FOR NOBODY THAT DON'T WANT

491
00:11:59,019 --> 00:11:59,686
TO BE KEPT.

492
00:11:59,686 --> 00:12:02,589
WELL, YOU KNOW,

493
00:12:02,589 --> 00:12:03,991
LIFE HAS A WAY OF WORKING

494
00:12:03,991 --> 00:12:06,059
ITSELF OUT.

495
00:12:06,059 --> 00:12:08,361
SOMETIMES YOU GOT TO KNOW

496
00:12:08,361 --> 00:12:09,897
WHEN TO HOLD AND KNOW WHEN

497
00:12:09,897 --> 00:12:12,032
TO FOLD.

498
00:12:12,032 --> 00:12:13,400
WELL, WHAT ARE YOU GONNA DO?

499
00:12:13,400 --> 00:12:16,003
JUST WATCH OUT.

500
00:12:16,003 --> 00:12:18,038
CHANGE IS A-COMIN'.

501
00:12:21,809 --> 00:12:22,810
[morose piano music]

502
00:12:22,810 --> 00:12:25,278
♪

503
00:12:25,278 --> 00:12:27,815
* DAMN, I LOVE MY LIFE

504
00:12:27,815 --> 00:12:32,085
♪ WHY IS EVERYBODY SO UPTIGHT?

505
00:12:32,085 --> 00:12:34,387
♪ I TOLD YOU FROM THE START

506
00:12:34,387 --> 00:12:36,289
♪ K.MICHELLE AIN'T ABOUT

507
00:12:36,289 --> 00:12:38,826
♪ THAT LIFE

508
00:12:38,826 --> 00:12:40,560
♪ 'CAUSE I'M A LITTLE SCARED

509
00:12:40,560 --> 00:12:42,495
♪ AT THE MINUTE

510
00:12:42,495 --> 00:12:43,296
♪ BUT TONIGHT

511
00:12:43,296 --> 00:12:44,564
♪ I'LL COMMIT TO YOUR BODY

512
00:12:44,564 --> 00:12:47,067
♪ 'CAUSE I JUST WANT TO CUT

513
00:12:47,067 --> 00:12:50,838
♪ AND NOT FALL IN LOVE

514
00:12:50,838 --> 00:12:53,573
MY LIFE IS AMAZING RIGHT NOW.

515
00:12:53,573 --> 00:12:55,308
I HAVE A BRAND-NEW RECORD DEAL

516
00:12:55,308 --> 00:12:56,509
WITH WARNER BROS.

517
00:12:56,509 --> 00:12:57,544
I'M ABLE TO GET OUT THERE

518
00:12:57,544 --> 00:12:59,279
AND DO MY MUSIC AGAIN.

519
00:12:59,279 --> 00:13:00,180
AND I'M VERY EXCITED

520
00:13:00,180 --> 00:13:01,448
AND I'M READY TO GO AND PUT THIS

521
00:13:01,448 --> 00:13:02,349
ALBUM OUT--

522
00:13:02,349 --> 00:13:04,584
MY FIRST ALBUM EVER.

523
00:13:04,584 --> 00:13:05,718
I WANT TO NAME MY ALBUM

524
00:13:05,718 --> 00:13:07,054
A REBELLIOUS SOUL,

525
00:13:07,054 --> 00:13:08,421
'CAUSE I'M VERY REBELLIOUS.

526
00:13:08,421 --> 00:13:09,122
I'MA STOP YOU.

527
00:13:09,122 --> 00:13:09,857
NO, I GOT TO STOP YOU.

528
00:13:09,857 --> 00:13:11,424
YOU GOT A BAD REP, RIGHT?

529
00:13:11,424 --> 00:13:12,993
OOH, JUST WAIT A MINUTE!

530
00:13:12,993 --> 00:13:14,394
NO, WE STRAIGHT-UP.

531
00:13:14,394 --> 00:13:15,462
NAW, I'M SAYING WE GOT TO BE

532
00:13:15,462 --> 00:13:16,296
STRAIGHT-UP, THOUGH, RIGHT?

533
00:13:16,296 --> 00:13:17,564
YOU GOT A BAD REP

534
00:13:17,564 --> 00:13:19,232
THAT YOU GOT A BAD ATTITUDE,

535
00:13:19,232 --> 00:13:20,700
THAT YOU SPAZZING OUT,

536
00:13:20,700 --> 00:13:22,135
THAT YOU DON'T LISTEN.

537
00:13:22,135 --> 00:13:23,203
YOU GOT TO REPAIR THAT.

538
00:13:23,203 --> 00:13:24,404
I KNOW.

539
00:13:24,404 --> 00:13:25,873
THE SAME THING THAT MAKES ME

540
00:13:25,873 --> 00:13:28,375
A GREAT ARTIST IS THE SAME THING

541
00:13:28,375 --> 00:13:30,510
THAT CAN DESTROY ME.

542
00:13:30,510 --> 00:13:32,645
I WEAR MY EMOTIONS ON MY SLEEVE.

543
00:13:32,645 --> 00:13:33,746
IT TAKES A SPECIAL KIND

544
00:13:33,746 --> 00:13:35,082
OF PERSON TO BE MY FRIEND,

545
00:13:35,082 --> 00:13:36,249
IT TAKES A SPECIAL KIND OF MAN

546
00:13:36,249 --> 00:13:37,184
TO LOVE ME, AND IT TAKES

547
00:13:37,184 --> 00:13:38,151
A SPECIAL KIND OF PERSON

548
00:13:38,151 --> 00:13:39,586
TO DO BUSINESS WITH ME.

549
00:13:39,586 --> 00:13:41,221
I'M NOT THE GIRLY RandB ARTIST.

550
00:13:41,221 --> 00:13:42,322
IT'S NOT HAPPENING.

551
00:13:42,322 --> 00:13:43,790
I NEED TO [bleep] WITH THE HOOD,

552
00:13:43,790 --> 00:13:44,791
THE STREETS.

553
00:13:44,791 --> 00:13:46,493
I NEED TO BE LIKE A FEMALE

554
00:13:46,493 --> 00:13:47,895
SINGING RAPPER,

555
00:13:47,895 --> 00:13:49,897
A MIX BETWEEN FERGIE AND JESUS.

556
00:13:49,897 --> 00:13:52,065
I NEED TO DO ALL OF THIS,

557
00:13:52,065 --> 00:13:55,335
AND I NEED TO, MOST IMPORTANTLY,

558
00:13:55,335 --> 00:13:57,570
GIVE WOMEN A VOICE.

559
00:13:57,570 --> 00:13:58,505
ALL I'M SAYING TO YOU:

560
00:13:58,505 --> 00:13:59,272
AT THE END OF THE DAY,

561
00:13:59,272 --> 00:14:00,140
WE ON THE SAME TEAM,

562
00:14:00,140 --> 00:14:01,141
GOT THE SAME GOAL.

563
00:14:01,141 --> 00:14:02,575
THE GOAL IS TO WATCH YOU WIN,

564
00:14:02,575 --> 00:14:03,710
TO WATCH YOU GROW

565
00:14:03,710 --> 00:14:05,278
AS A CAREER ARTIST.

566
00:14:05,278 --> 00:14:06,213
WELL, I JUST WANT TO MAKE

567
00:14:06,213 --> 00:14:07,147
A DOPE ALBUM,

568
00:14:07,147 --> 00:14:07,948
AND I WANT TO...

569
00:14:07,948 --> 00:14:08,748
WELL, THEN MAKE A GREAT

570
00:14:08,748 --> 00:14:09,482
ALBUM.

571
00:14:09,482 --> 00:14:10,918
TELL ALL THE HATERS REST IN

572
00:14:10,918 --> 00:14:12,319
PEACE, KILL YOURSELF.

573
00:14:12,319 --> 00:14:14,254
DRINK BLEACH TWICE

574
00:14:14,254 --> 00:14:16,589
BECAUSE, REGARDS ANYTHING,

575
00:14:16,589 --> 00:14:19,159
I AM GENUINE IN MY MUSIC

576
00:14:19,159 --> 00:14:20,627
AND I'M GENUINE WITH MY FANS,

577
00:14:20,627 --> 00:14:22,695
AND THEY WANT ME TO WIN.

578
00:14:22,695 --> 00:14:23,430
PUT ON YOUR SEATBELT,

579
00:14:23,430 --> 00:14:25,465
'CAUSE IT'S GONNA GET CRUNK.

580
00:14:31,504 --> 00:14:32,305
SO HOW DOES IT FEEL

581
00:14:32,305 --> 00:14:34,041
TO BE ENGAGED?

582
00:14:34,041 --> 00:14:34,707
IT FEELS GREAT.

583
00:14:34,707 --> 00:14:35,508
IT'S--

584
00:14:35,508 --> 00:14:37,010
DOES IT FEEL REAL?

585
00:14:37,010 --> 00:14:38,078
YES, IT DOES.

586
00:14:38,078 --> 00:14:39,179
IT FEELS REAL.

587
00:14:39,179 --> 00:14:39,947
LAST YEAR, WHEN ME AND

588
00:14:39,947 --> 00:14:40,780
AND SCRAPPY WERE GOING

589
00:14:40,780 --> 00:14:41,614
THROUGH OUR UPS AND DOWNS,

590
00:14:41,614 --> 00:14:42,983
I TOLD MY MOM THAT I WAS GONNA

591
00:14:42,983 --> 00:14:43,783
HAVE A RING.

592
00:14:43,783 --> 00:14:44,584
AND I KNOW SHE STILL HAS HER

593
00:14:44,584 --> 00:14:46,119
DOUBTS, SO I DECIDED TO PROVE

594
00:14:46,119 --> 00:14:48,821
TO HER THIS TIME HE IS SERIOUS.

595
00:14:48,821 --> 00:14:50,557
WELCOME TO JEWELRY ARTISANS.

596
00:14:50,557 --> 00:14:51,491
WHAT'S GOING ON TODAY?

597
00:14:51,491 --> 00:14:52,392
I'M HERE TO GET THE RING

598
00:14:52,392 --> 00:14:53,326
APPRAISED.

599
00:14:53,326 --> 00:14:54,661
OH, IS THIS A NEW ONE?

600
00:14:54,661 --> 00:14:55,395
YES.

601
00:14:55,395 --> 00:14:56,729
THIS IS BEAUTIFUL.

602
00:14:56,729 --> 00:14:57,630
WELL, GIVE ME A MINUTE.

603
00:14:57,630 --> 00:14:58,331
HAVE FUN, LADIES.

604
00:14:58,331 --> 00:14:59,599
THANKS.

605
00:14:59,599 --> 00:15:00,700
WITH THIS GO-AROUND,

606
00:15:00,700 --> 00:15:04,004
I FEE LIKE HE IS VERY SINCERE.

607
00:15:04,004 --> 00:15:04,837
WHY?

608
00:15:04,837 --> 00:15:05,973
I'VE KNOWN HIM FOR SO LONG,

609
00:15:05,973 --> 00:15:07,674
AND I CAN JUST READ HIM.

610
00:15:07,674 --> 00:15:09,076
AND JUST, LIKE, NOW IT'S

611
00:15:09,076 --> 00:15:10,443
ALL PROGRESSION.

612
00:15:10,443 --> 00:15:11,544
LIKE, WE--YOU KNOW, WE HAVE

613
00:15:11,544 --> 00:15:12,412
OUR ARGUMENTS HERE AND THERE,

614
00:15:12,412 --> 00:15:13,846
BUT FOR THE MOST PART,

615
00:15:13,846 --> 00:15:15,348
WE CAN ACTUALLY SIT, TALK,

616
00:15:15,348 --> 00:15:17,484
WORK IT OUT, MOVE FORWARD.

617
00:15:17,484 --> 00:15:18,851
WELL, IF YOU'RE HAPPY,

618
00:15:18,851 --> 00:15:19,586
I'M HAPPY.

619
00:15:19,586 --> 00:15:20,687
ARE YOU REALLY HAPPY?

620
00:15:20,687 --> 00:15:21,854
IF ERICA'S HAPPY,

621
00:15:21,854 --> 00:15:22,655
MOMMY'S HAPPY.

622
00:15:22,655 --> 00:15:23,456
NO, I SAID ARE YOU HAPPY,

623
00:15:23,456 --> 00:15:24,224
'CAUSE YOU KEEP SAYING

624
00:15:24,224 --> 00:15:25,625
IF ERICA'S HAPPY, MOMMY'S HAPPY.

625
00:15:25,625 --> 00:15:27,894
ARE YOU HAPPY FOR THE WHOLE

626
00:15:27,894 --> 00:15:28,828
SITUATION WITH ERICA

627
00:15:28,828 --> 00:15:29,829
AND SCRAPPY, NOT JUST 'CAUSE

628
00:15:29,829 --> 00:15:32,399
I'M HAPPY?

629
00:15:32,399 --> 00:15:33,300
I'M CONTENT.

630
00:15:33,300 --> 00:15:34,001
I'LL BE HAPPY AFTER

631
00:15:34,001 --> 00:15:35,135
THE MARRIAGE.

632
00:15:35,135 --> 00:15:36,336
SO BASICALLY YOU'RE DOUBTING

633
00:15:36,336 --> 00:15:39,906
THAT WE'RE GONNA GET MARRIED.

634
00:15:39,906 --> 00:15:41,441
I'M 80% SURE AND, LIKE,

635
00:15:41,441 --> 00:15:45,045
20%--ONLY BECAUSE OF HIS PAST.

636
00:15:45,045 --> 00:15:46,279
AND I KNOW YOU LOVE SCRAPPY.

637
00:15:46,279 --> 00:15:48,215
I KNOW HE LOVES YOU.

638
00:15:48,215 --> 00:15:49,249
BUT DOES HE LOVES YOU ENOUGH

639
00:15:49,249 --> 00:15:51,251
TO REALLY MARRY YOU?

640
00:15:51,251 --> 00:15:52,219
NOTHING'S EVER ENOUGH FOR

641
00:15:52,219 --> 00:15:53,820
HER, ESPECIALLY WHEN IT COMES

642
00:15:53,820 --> 00:15:54,787
TO HIM.

643
00:15:54,787 --> 00:15:55,855
"HE'S BEING A LITTLE BOY.

644
00:15:55,855 --> 00:15:56,823
YOU KNOW, HE'S NOT STEPPING UP

645
00:15:56,823 --> 00:15:57,624
TO THE PLATE."

646
00:15:57,624 --> 00:15:58,791
AND IT'S LIKE, HE DID,

647
00:15:58,791 --> 00:15:59,659
AND THEN YOU GONNA SHOOT

648
00:15:59,659 --> 00:16:00,360
HIM DOWN AGAIN.

649
00:16:00,360 --> 00:16:01,261
"WELL, ARE Y'ALL REALLY GONNA

650
00:16:01,261 --> 00:16:02,362
GET MARRIED?"

651
00:16:02,362 --> 00:16:04,164
THANK GOD THE JEWELER CAME BACK

652
00:16:04,164 --> 00:16:05,665
AND PUMPED HER BRAKES.

653
00:16:05,665 --> 00:16:06,633
HERE YOU GO.

654
00:16:06,633 --> 00:16:07,334
THANK YOU.

655
00:16:07,334 --> 00:16:08,268
THERE'S YOUR RING ALL CLEAN

656
00:16:08,268 --> 00:16:09,769
AND SPARKLY.

657
00:16:09,769 --> 00:16:10,637
THANK YOU.

658
00:16:10,637 --> 00:16:11,671
THE RING IS AN 18 KARAT,

659
00:16:11,671 --> 00:16:12,905
WHICH IS VERY NICE.

660
00:16:12,905 --> 00:16:14,041
THAT'S WHAT WE USE A LOT

661
00:16:14,041 --> 00:16:15,042
IN OUR CUSTOM DESIGNS,

662
00:16:15,042 --> 00:16:15,842
IS 18 KARAT.

663
00:16:15,842 --> 00:16:17,044
THE DIAMOND IS SPECTACULAR.

664
00:16:17,044 --> 00:16:18,045
I MEAN, IT HAS GOT SUCH

665
00:16:18,045 --> 00:16:19,346
A GREAT CUT ON IT.

666
00:16:19,346 --> 00:16:20,180
THAT'S WHAT GIVES YOU THAT

667
00:16:20,180 --> 00:16:21,748
SPARKLE AND BRILLIANCE.

668
00:16:21,748 --> 00:16:23,416
PROBABLY THE BEST PART, THOUGH.

669
00:16:23,416 --> 00:16:24,384
WOW.

670
00:16:24,384 --> 00:16:25,318
LOOK AT THAT, HUH?

671
00:16:25,318 --> 00:16:26,053
WOWSERS.

672
00:16:26,053 --> 00:16:28,155
THIS MAN SURE LOVES YOU

673
00:16:28,155 --> 00:16:29,056
RIGHT HERE, HUH?

674
00:16:29,056 --> 00:16:30,157
WOW.

675
00:16:30,157 --> 00:16:31,224
I LIKE THOSE NUMBERS.

676
00:16:31,224 --> 00:16:32,559
LOVE THOSE NUMBERS.

677
00:16:32,559 --> 00:16:33,726
WELL, YOU CAN ONLY IMAGINE

678
00:16:33,726 --> 00:16:34,561
WHAT I'M GONNA SPEND

679
00:16:34,561 --> 00:16:35,328
ON THE WEDDING.

680
00:16:35,328 --> 00:16:36,063
[laughing]

681
00:16:36,063 --> 00:16:38,098
OKAY.

682
00:16:40,400 --> 00:16:41,868
SEE WHAT DADDY DO FOR YOU?

683
00:16:41,868 --> 00:16:42,602
YOU TREAT ME LIKE I'M

684
00:16:42,602 --> 00:16:43,470
A PROSTITUTE.

685
00:16:43,470 --> 00:16:44,637
WHAT DO YOU MEAN?

686
00:16:44,637 --> 00:16:46,573
I DON'T PAY TO [bleep] YOU.

687
00:16:46,573 --> 00:16:47,874
HEY, MAID.

688
00:16:47,874 --> 00:16:48,775
I SEE YOU GOT ON YOUR MAID

689
00:16:48,775 --> 00:16:50,077
OUTFIT LIKE YOU ALWAYS DO.

690
00:16:50,077 --> 00:16:51,078
GET THIS HO OUT THE HOUSE.

691
00:16:51,078 --> 00:16:53,080
PROSTITUTE.

692
00:16:57,584 --> 00:16:58,585
[thumping hip-hop music]

693
00:16:58,585 --> 00:17:04,691
♪

694
00:17:05,825 --> 00:17:07,094
YOU'RE LISTENING TO

695
00:17:07,094 --> 00:17:09,329
THE PEOPLE'S STATION, V-103.

696
00:17:09,329 --> 00:17:11,131
THIS IS ZINO AFTER DARK.

697
00:17:11,131 --> 00:17:12,165
WE ARE HERE WITH

698
00:17:12,165 --> 00:17:13,433
THE INCOMPARABLE,

699
00:17:13,433 --> 00:17:14,834
THE LOVELY MS. JOSELINE

700
00:17:14,834 --> 00:17:16,169
HERNANDEZ.

701
00:17:16,169 --> 00:17:17,570
THE BADDEST CHICK.

702
00:17:17,570 --> 00:17:18,638
ON V-103.

703
00:17:18,638 --> 00:17:19,739
I'VE BEEN DOING A LATE NIGHT

704
00:17:19,739 --> 00:17:20,640
RADIO SHOW IN ATLANTA

705
00:17:20,640 --> 00:17:22,109
FOR A WHILE NOW,

706
00:17:22,109 --> 00:17:23,776
AND IT'S BASICALLY A SHOW

707
00:17:23,776 --> 00:17:26,213
WHERE I TALK TO MAINLY WOMEN,

708
00:17:26,213 --> 00:17:27,214
BUT ALL PEOPLE,

709
00:17:27,214 --> 00:17:28,981
ABOUT LIFE, RELATIONSHIPS,

710
00:17:28,981 --> 00:17:30,450
AND THE PURSUIT OF HAPPINESS.

711
00:17:30,450 --> 00:17:31,384
YOU'VE GOT THE SINGLES

712
00:17:31,384 --> 00:17:32,119
COMING OUT.

713
00:17:32,119 --> 00:17:33,920
YOU'RE IN HIGH DEMAND RIGHT NOW.

714
00:17:33,920 --> 00:17:35,422
BOY, I'M THE BADDEST CHICK.

715
00:17:35,422 --> 00:17:36,589
WHAT CAN I SAY?

716
00:17:36,589 --> 00:17:37,557
THEY ONLY WANT TO SEE THE PUERTO

717
00:17:37,557 --> 00:17:38,725
RICAN PRINCESS.

718
00:17:38,725 --> 00:17:39,492
RIGHT, RIGHT, RIGHT.

719
00:17:39,492 --> 00:17:40,393
SO I DO A LOT OF SHOWS.

720
00:17:40,393 --> 00:17:41,528
I DO, LIKE, FOUR OR FIVE SHOWS

721
00:17:41,528 --> 00:17:42,229
A WEEK.

722
00:17:42,229 --> 00:17:43,130
I'M ALWAYS OUT OF TOWN.

723
00:17:43,130 --> 00:17:43,930
YOU GETTING THAT BREAD.

724
00:17:43,930 --> 00:17:44,697
AH, WELL, YOU KNOW...

725
00:17:44,697 --> 00:17:45,865
YOU KNOW?

726
00:17:45,865 --> 00:17:46,633
I MAKE ABOUT A GOOD

727
00:17:46,633 --> 00:17:48,435
20 STACKS A WEEK ON DOING SHOWS.

728
00:17:48,435 --> 00:17:49,669
YOU KNOW, I MAKE A LITTLE

729
00:17:49,669 --> 00:17:51,003
SOMETHING DOING SHOWS.

730
00:17:51,003 --> 00:17:52,405
YOU KNOW, STEVIE AND I

731
00:17:52,405 --> 00:17:54,141
ALWAYS HAVE SOMETHING GOING ON,

732
00:17:54,141 --> 00:17:56,343
AND HE'S THE ONE THAT SAVES

733
00:17:56,343 --> 00:17:57,444
THE LAST WHEN IT COMES DOWN

734
00:17:57,444 --> 00:17:58,278
TO WORK.

735
00:17:58,278 --> 00:17:59,579
THAT'S FUNNY YOU MENTION

736
00:17:59,579 --> 00:18:01,348
THAT, BECAUSE TONIGHT'S TOPIC

737
00:18:01,348 --> 00:18:02,782
IS ABOUT FALLING IN LOVE

738
00:18:02,782 --> 00:18:03,683
OR HAVING A RELATIONSHIP

739
00:18:03,683 --> 00:18:04,717
WITH SOMEBODY THAT

740
00:18:04,717 --> 00:18:05,652
YOU WORK WITH.

741
00:18:05,652 --> 00:18:06,619
YOU KNOW WHAT I MEAN?

742
00:18:06,619 --> 00:18:07,454
OH, HONEY.

743
00:18:07,454 --> 00:18:08,221
YOU KNOW, AND I'M SURE

744
00:18:08,221 --> 00:18:09,021
YOU GOT SOME INSIGHT ON THAT,

745
00:18:09,021 --> 00:18:09,722
YOU KNOW WHAT I'M SAYING?

746
00:18:09,722 --> 00:18:10,457
YES, I DO.

747
00:18:10,457 --> 00:18:11,458
HOW DO YOU WORK THE BUSINESS

748
00:18:11,458 --> 00:18:12,259
OUT WITH THE PLEASURE,

749
00:18:12,259 --> 00:18:13,393
WITH THE RELATIONSHIP?

750
00:18:13,393 --> 00:18:14,694
YOU KNOW, I DON'T THINK

751
00:18:14,694 --> 00:18:16,163
THAT IT'S POSSIBLE.

752
00:18:16,163 --> 00:18:17,530
YOU KNOW, I'VE TRIED IT.

753
00:18:17,530 --> 00:18:18,765
I'VE DONE IT.

754
00:18:18,765 --> 00:18:19,932
AND IT JUST--YOU TRY TO WORK

755
00:18:19,932 --> 00:18:20,800
ON YOUR RELATIONSHIP

756
00:18:20,800 --> 00:18:21,568
AND YOU'RE TRYING TO WORK

757
00:18:21,568 --> 00:18:22,302
ON YOUR CAREER.

758
00:18:22,302 --> 00:18:23,536
IT AIN'T GONNA WORK.

759
00:18:23,536 --> 00:18:25,071
AND I LOVE STEVIE.

760
00:18:25,071 --> 00:18:25,805
DON'T GET ME WRONG.

761
00:18:25,805 --> 00:18:27,340
I LOVE HIM AS A PERSON.

762
00:18:27,340 --> 00:18:28,575
I APPRECIATE HIM.

763
00:18:28,575 --> 00:18:29,476
BUT I JUST DON'T WANT TO BE

764
00:18:29,476 --> 00:18:30,643
WITH HIM.

765
00:18:30,643 --> 00:18:31,311
TONIGHT.

766
00:18:31,311 --> 00:18:31,978
TOMORROW...

767
00:18:31,978 --> 00:18:32,912
SEE, IT'S PEOPLE LIKE YOU

768
00:18:32,912 --> 00:18:34,247
THAT PUSH HIM BACK INTO MY LIFE.

769
00:18:34,247 --> 00:18:35,448
LIKE, I DON'T WANT HIM.

770
00:18:35,448 --> 00:18:36,883
WE STILL DO BUSINESS TOGETHER,

771
00:18:36,883 --> 00:18:38,050
BUT I'M THE BITCH THAT'S GONNA

772
00:18:38,050 --> 00:18:39,186
SEPARATE THAT BUSINESS

773
00:18:39,186 --> 00:18:40,420
AND THAT PERSONAL [bleep],

774
00:18:40,420 --> 00:18:41,421
'CAUSE FOR REAL, FOR REAL,

775
00:18:41,421 --> 00:18:42,322
I'M 26.

776
00:18:42,322 --> 00:18:43,256
I'M BEAUTIFUL.

777
00:18:43,256 --> 00:18:44,056
I'M YOUNG.

778
00:18:44,056 --> 00:18:45,057
I HAVE A CAREER AHEAD OF ME.

779
00:18:45,057 --> 00:18:46,259
I AIN'T GOT TIME FOR STEVIE.

780
00:18:46,259 --> 00:18:47,727
CURRENTLY I'M SINGLE AND,

781
00:18:47,727 --> 00:18:49,196
YOU KNOW, I'M ALWAYS LOOKING

782
00:18:49,196 --> 00:18:50,530
FOR LOVE,

783
00:18:50,530 --> 00:18:51,831
'CAUSE I LIKE TO HAVE SEX.

784
00:18:51,831 --> 00:18:52,832
I'M A GROWN WOMAN.

785
00:18:52,832 --> 00:18:53,633
HOLD THAT THOUGHT.

786
00:18:53,633 --> 00:18:55,202
WE'RE GONNA PAY SOME BILLS.

787
00:18:55,202 --> 00:18:55,868
IT'S GETTING A LITTLE HOT

788
00:18:55,868 --> 00:18:56,769
UP HERE.

789
00:18:56,769 --> 00:18:59,206
UM, YOU KNOW, GIVE US A CALL.

790
00:18:59,206 --> 00:19:00,006
SLEAZO, IF YOU'RE OUT THERE,

791
00:19:00,006 --> 00:19:01,241
HOLLER.

792
00:19:01,241 --> 00:19:03,042
STEVIE KNOWS ABOUT THIS?

793
00:19:03,042 --> 00:19:05,044
I DON'T CARE IF HE KNOWS.

794
00:19:05,044 --> 00:19:05,912
BOY.

795
00:19:05,912 --> 00:19:06,713
I'M NOT WORRYING ABOUT

796
00:19:06,713 --> 00:19:07,947
ANNOUNCING IT TO HIM.

797
00:19:07,947 --> 00:19:08,648
WELL, I DON'T KNOW.

798
00:19:08,648 --> 00:19:09,382
LOOK, ALL I KNOW IS THAT,

799
00:19:09,382 --> 00:19:10,783
LISTEN, WHEN YOU CAME AROUND,

800
00:19:10,783 --> 00:19:11,951
HE PUT ALL HIS WORK INTO YOU;

801
00:19:11,951 --> 00:19:13,220
HE PUT ALL HIS EFFORT INTO YOU,

802
00:19:13,220 --> 00:19:14,053
SO THAT SHOWS ME THAT HE

803
00:19:14,053 --> 00:19:15,422
WAS REALLY INTO YOU.

804
00:19:15,422 --> 00:19:17,424
AND NOW IT'S LIKE, OKAY, WELL--

805
00:19:17,424 --> 00:19:19,259
DON'T HATE ON THE PLAYER.

806
00:19:19,259 --> 00:19:20,827
HATE THE GAME.

807
00:19:20,827 --> 00:19:21,894
I GUESS THAT'S WHAT THEY SAY,

808
00:19:21,894 --> 00:19:22,895
HUH?

809
00:19:22,895 --> 00:19:23,830
MAN.

810
00:19:23,830 --> 00:19:24,731
YOU GOT SOMEBODY TO HOOK

811
00:19:24,731 --> 00:19:25,498
ME UP WITH?

812
00:19:25,498 --> 00:19:27,634
NO, NO, NO, NO, NO.

813
00:19:27,634 --> 00:19:28,901
I'M CHILLEST.

814
00:19:28,901 --> 00:19:30,237
BELIEVE ME, I'M NOT--

815
00:19:30,237 --> 00:19:31,070
WHY NOT?

816
00:19:31,070 --> 00:19:32,739
THIS IS A PLANE CRASH

817
00:19:32,739 --> 00:19:33,973
WAITING TO HAPPEN RIGHT HERE,

818
00:19:33,973 --> 00:19:34,874
YOU KNOW WHAT I'M SAYING?

819
00:19:34,874 --> 00:19:35,575
I CAN'T--

820
00:19:35,575 --> 00:19:38,745
WHO'S GONNA CRASH?

821
00:19:38,745 --> 00:19:40,247
OH...

822
00:19:40,247 --> 00:19:41,814
YOU HEARD IT FIRST RIGHT HERE,

823
00:19:41,814 --> 00:19:42,482
Y'ALL.

824
00:19:42,482 --> 00:19:43,483
MS. JOSELINE HERNANDEZ

825
00:19:43,483 --> 00:19:45,518
SAYS SHE'S SINGLE.

826
00:19:57,830 --> 00:19:58,898
WE WERE SUPPOSED TO GO EAT,

827
00:19:58,898 --> 00:19:59,999
GO SHOPPING.

828
00:19:59,999 --> 00:20:01,401
WHAT HAPPENED TO ALL THAT?

829
00:20:01,401 --> 00:20:02,502
LIFE.

830
00:20:02,502 --> 00:20:03,370
A LOT OF STUFF.

831
00:20:03,370 --> 00:20:04,237
BUT I DO HAVE A GOOD

832
00:20:04,237 --> 00:20:06,239
ANNOUNCEMENT, A BIG ONE.

833
00:20:06,239 --> 00:20:07,607
WELL, I GOT A BRAND-NEW

834
00:20:07,607 --> 00:20:10,209
RECORD DEAL WITH WARNER BROS.

835
00:20:10,209 --> 00:20:11,077
YEAH--

836
00:20:11,077 --> 00:20:12,111
YOU KNOW WHAT I WENT THROUGH

837
00:20:12,111 --> 00:20:13,680
WITH ALL OF THAT,

838
00:20:13,680 --> 00:20:14,914
SO FOR SOMEBODY TO SAY,

839
00:20:14,914 --> 00:20:16,148
"I BELIEVE IN YOU,"

840
00:20:16,148 --> 00:20:17,317
REGARDLESS OF ANYTHING--

841
00:20:17,317 --> 00:20:18,318
"REGARDLESS OF YOUR ISSUES,

842
00:20:18,318 --> 00:20:19,886
AIN'T NOBODY PERFECT,

843
00:20:19,886 --> 00:20:20,553
YOU CAN SING."

844
00:20:20,553 --> 00:20:22,555
TO ME, I'M COOL WITH THAT,

845
00:20:22,555 --> 00:20:23,456
YOU KNOW?

846
00:20:23,456 --> 00:20:24,691
I LOVE ERICA.

847
00:20:24,691 --> 00:20:26,125
SHE'S ALWAYS BEEN THERE FOR ME,

848
00:20:26,125 --> 00:20:27,427
SO I WANTED HER TO BE ONE

849
00:20:27,427 --> 00:20:28,194
OF THE FIRST PEOPLE I TOLD

850
00:20:28,194 --> 00:20:29,796
ABOUT MY RECORD DEAL.

851
00:20:29,796 --> 00:20:31,264
AND I ALSO WANTED TO, YOU KNOW,

852
00:20:31,264 --> 00:20:32,599
JUST SPEND SOME TIME WITH HER

853
00:20:32,599 --> 00:20:34,267
AND CELEBRATE HER ENGAGEMENT.

854
00:20:34,267 --> 00:20:35,101
OH, YOU GONNA PUT IT

855
00:20:35,101 --> 00:20:36,035
IN MY FACE LIKE THAT?

856
00:20:36,035 --> 00:20:37,470
[laughter]

857
00:20:37,470 --> 00:20:38,204
CAN YOU SEE IT FROM BACK

858
00:20:38,204 --> 00:20:38,971
HERE?

859
00:20:38,971 --> 00:20:40,773
I'M VERY HAPPY FOR YOU.

860
00:20:40,773 --> 00:20:41,808
YOU KNOW WHAT I'M SAYING?

861
00:20:41,808 --> 00:20:44,877
LIKE, WHEN A MAN GET IT RIGHT,

862
00:20:44,877 --> 00:20:46,813
IT'S A GREAT THING.

863
00:20:46,813 --> 00:20:47,547
SO WE'RE GOING TO PARTY.

864
00:20:47,547 --> 00:20:48,615
I FEEL LIKE I SHOULD THROW YOU,

865
00:20:48,615 --> 00:20:49,916
LIKE, A INTIMATE,

866
00:20:49,916 --> 00:20:52,985
SEXY ENGAGEMENT PARTY.

867
00:20:52,985 --> 00:20:53,986
YOU LOOKING SCARED.

868
00:20:53,986 --> 00:20:55,655
[laughing] NO, NO, NO.

869
00:20:55,655 --> 00:20:56,556
IT'S AN ENGAGEMENT PARTY.

870
00:20:56,556 --> 00:20:57,857
I'M NOT GONNA HOOD IT OUT.

871
00:20:57,857 --> 00:20:59,091
NO--I PROMISE.

872
00:20:59,091 --> 00:21:00,259
I'M GONNA HAVE THE PEOPLE

873
00:21:00,259 --> 00:21:01,961
YOU LOVE AT THE PARTY.

874
00:21:01,961 --> 00:21:02,862
OKAY.

875
00:21:02,862 --> 00:21:03,663
BUT YOU KNOW I GOT TO BE

876
00:21:03,663 --> 00:21:05,498
UNDERSTANDING ABOUT THE PEOPLE.

877
00:21:05,498 --> 00:21:07,099
THIS FOR ME, RIGHT?

878
00:21:07,099 --> 00:21:08,234
YEAH, BUT YOU KNOW WHAT?

879
00:21:08,234 --> 00:21:09,436
SO YOU TELL ME WHO YOU HAD

880
00:21:09,436 --> 00:21:10,670
IN MIND.

881
00:21:10,670 --> 00:21:12,405
A LOT OF BOTTLES OF LIQUOR.

882
00:21:12,405 --> 00:21:13,139
MM-HMM.

883
00:21:13,139 --> 00:21:15,174
JACK DANIELS, HE'S INVITED.

884
00:21:15,174 --> 00:21:16,108
MM-HMM.

885
00:21:16,108 --> 00:21:18,778
YOU KNOW, MIMI...

886
00:21:18,778 --> 00:21:19,812
YEAH, THAT'S THE PARTY.

887
00:21:19,812 --> 00:21:20,913
WHOA, WAIT A MINUTE.

888
00:21:20,913 --> 00:21:21,814
[laughs]

889
00:21:21,814 --> 00:21:22,515
MIMI, ARIANE.

890
00:21:22,515 --> 00:21:24,551
NOPE, NOPE, NOPE.

891
00:21:26,653 --> 00:21:27,954
TOOK A BIG GULP ON THAT ONE.

892
00:21:27,954 --> 00:21:28,755
I'M NOT DEALING WITH THAT

893
00:21:28,755 --> 00:21:29,522
GIRL.

894
00:21:29,522 --> 00:21:31,123
THERE WAS A RADIO INTERVIEW,

895
00:21:31,123 --> 00:21:34,561
AND ARIANE ADMITTED TO HAVING

896
00:21:34,561 --> 00:21:36,396
SEX WITH ONE OF MY EXES.

897
00:21:36,396 --> 00:21:38,465
BUT SHE NEVER TOLD ME THAT.

898
00:21:38,465 --> 00:21:39,666
THE LEAST YOU COULD HAVE DID

899
00:21:39,666 --> 00:21:40,900
WAS TELL ME THAT YOU DONE LAID

900
00:21:40,900 --> 00:21:42,234
DOWN AND SPREAD YOUR HOT POCKET

901
00:21:42,234 --> 00:21:43,803
WIDE OPEN FOR 'EM.

902
00:21:43,803 --> 00:21:44,771
JUST TELL ME, GIRL.

903
00:21:44,771 --> 00:21:45,572
"YOU KNOW, BLAH, BLAH, BLAH,

904
00:21:45,572 --> 00:21:46,439
BLAH, BLAH.

905
00:21:46,439 --> 00:21:47,774
GIRL, YOU KNOW I BANGED HIM.

906
00:21:47,774 --> 00:21:48,875
YOU KNOW HOW WE DO AS GIRLS."

907
00:21:48,875 --> 00:21:51,444
SHE VIOLATED THE "G" CODE.

908
00:21:51,444 --> 00:21:52,379
I MEAN, I'M GOOD.

909
00:21:52,379 --> 00:21:53,079
IT'S NO HATE.

910
00:21:53,079 --> 00:21:54,080
SO HAVE Y'ALL TALKED?

911
00:21:54,080 --> 00:21:54,914
SHE BEEN CALLING.

912
00:21:54,914 --> 00:21:56,383
I DON'T WANT TO TALK TO HER.

913
00:21:56,383 --> 00:21:57,083
WAIT.

914
00:21:57,083 --> 00:21:58,685
CAN SHE BE THERE FOR ME?

915
00:21:58,685 --> 00:21:59,386
YEAH.

916
00:21:59,386 --> 00:22:00,920
FOR YOU, DEFINITELY.

917
00:22:00,920 --> 00:22:02,188
THAT'S FINE.

918
00:22:02,188 --> 00:22:03,390
I'LL TAKE THAT.

919
00:22:03,390 --> 00:22:04,123
WE GOT MIMI.

920
00:22:04,123 --> 00:22:06,393
SO FOR ME, WE GOT MIMI.

921
00:22:06,393 --> 00:22:08,027
WE GOT ARIANE.

922
00:22:08,027 --> 00:22:08,995
OKAY.

923
00:22:08,995 --> 00:22:11,130
RASHEEDA?

924
00:22:11,130 --> 00:22:11,798
RUN UP.

925
00:22:11,798 --> 00:22:12,999
NO, MM.

926
00:22:12,999 --> 00:22:13,833
NO.

927
00:22:13,833 --> 00:22:15,868
[laughs]

928
00:22:31,684 --> 00:22:32,619
HOW YOU JUST WALK UP IN HERE

929
00:22:32,619 --> 00:22:33,786
LIKE THAT?

930
00:22:33,786 --> 00:22:34,521
'CAUSE I GOT SOMETHING

931
00:22:34,521 --> 00:22:35,287
FOR YOU.

932
00:22:35,287 --> 00:22:35,955
WHAT IS THIS IN THIS

933
00:22:35,955 --> 00:22:36,756
UGLY BOX?

934
00:22:36,756 --> 00:22:39,125
HURRY UP BEFORE IT BLOWS UP.

935
00:22:39,125 --> 00:22:40,026
WHEN I HEARD JOSELINE

936
00:22:40,026 --> 00:22:41,027
ON THE RADIO SAYING SHE WAS

937
00:22:41,027 --> 00:22:42,495
SINGLE, I WAS LIKE,

938
00:22:42,495 --> 00:22:44,163
OH, HOLD UP.

939
00:22:44,163 --> 00:22:44,931
HOLD UP.

940
00:22:44,931 --> 00:22:46,666
YOU'RE SUCH A PIMP.

941
00:22:46,666 --> 00:22:47,767
AT THE END OF THE DAY,

942
00:22:47,767 --> 00:22:48,501
WE'RE GETTING A COUPLE

943
00:22:48,501 --> 00:22:49,702
OF DOLLARS TOGETHER.

944
00:22:49,702 --> 00:22:51,303
SO, YOU KNOW, I HAD TO CALM

945
00:22:51,303 --> 00:22:53,840
THE SITUATION DOWN.

946
00:22:53,840 --> 00:22:54,807
LOOK AT THE WAY THAT FITS,

947
00:22:54,807 --> 00:22:56,543
THAT THING.

948
00:22:56,543 --> 00:22:57,444
THANK YOU.

949
00:22:57,444 --> 00:22:58,811
DON'T TOUCH ME.

950
00:22:58,811 --> 00:23:00,312
SERIOUSLY, I LOVE THE FUR.

951
00:23:00,312 --> 00:23:01,247
LOOKING GOOD IN THAT JOINT.

952
00:23:01,247 --> 00:23:02,181
I LOVE THE FUR

953
00:23:02,181 --> 00:23:03,450
AND EVERYTHING ELSE LIKE THAT,

954
00:23:03,450 --> 00:23:05,184
BUT IF THIS IS GONNA COST ME,

955
00:23:05,184 --> 00:23:06,118
I DON'T EVEN WANT TO TAKE IT,

956
00:23:06,118 --> 00:23:07,153
'CAUSE YOU ALWAYS TRYING TO

957
00:23:07,153 --> 00:23:08,087
BUY ME.

958
00:23:08,087 --> 00:23:09,456
WE HAD A MISUNDERSTANDING

959
00:23:09,456 --> 00:23:10,557
THE OTHER DAY.

960
00:23:10,557 --> 00:23:12,725
AND I FIGURE THE BEST WAY

961
00:23:12,725 --> 00:23:13,726
TO RESOLVE IT IS JUST

962
00:23:13,726 --> 00:23:15,462
TO MAKE YOU SMILE.

963
00:23:15,462 --> 00:23:16,663
HE KNOWS HE'S [bleep] UP.

964
00:23:16,663 --> 00:23:18,164
I DON'T WANT HIM NO MORE.

965
00:23:18,164 --> 00:23:19,466
SO HE BRINGS ME A FUR.

966
00:23:19,466 --> 00:23:20,733
I'M LIKE, "THANK YOU, STEVIE,

967
00:23:20,733 --> 00:23:22,101
BUT THAT DOES NOT MEAN

968
00:23:22,101 --> 00:23:23,770
THAT YOU GONNA BUY ME BACK."

969
00:23:23,770 --> 00:23:24,637
YOU TREAT ME LIKE I'M

970
00:23:24,637 --> 00:23:25,805
A PROSTITUTE.

971
00:23:25,805 --> 00:23:26,506
WHAT DO YOU MEAN?

972
00:23:26,506 --> 00:23:27,373
THAT'S HOW YOU TREAT ME.

973
00:23:27,373 --> 00:23:31,077
I DON'T PAY TO [bleep] YOU.

974
00:23:31,077 --> 00:23:32,078
YOU TRYING TO GET SOMETHING,

975
00:23:32,078 --> 00:23:33,880
AND I KNOW IT CAN'T BE NO HUG

976
00:23:33,880 --> 00:23:34,714
IF YOU'RE TRYING TO BRING ME

977
00:23:34,714 --> 00:23:35,848
A FUR.

978
00:23:35,848 --> 00:23:36,983
I JUST WANT YOU TO KNOW,

979
00:23:36,983 --> 00:23:38,485
YOU KNOW, MY DOOR'S ALWAYS

980
00:23:38,485 --> 00:23:39,118
OPEN FOR YOU.

981
00:23:39,118 --> 00:23:40,219
YOUR DOORS ARE ALWAYS OPEN

982
00:23:40,219 --> 00:23:41,488
FOR ANY [bleep].

983
00:23:41,488 --> 00:23:42,822
NO, NOT TRUE.

984
00:23:42,822 --> 00:23:43,656
I DON'T [bleep] WITH JUST

985
00:23:43,656 --> 00:23:45,492
ANY [bleep].

986
00:23:45,492 --> 00:23:47,159
UNDERSTAND THIS, RIGHT:

987
00:23:47,159 --> 00:23:48,394
I CARE ABOUT YOU.

988
00:23:48,394 --> 00:23:49,261
I WANT TO MAKE SURE ME AND YOU

989
00:23:49,261 --> 00:23:50,362
ARE IN THE SAME PAGE.

990
00:23:50,362 --> 00:23:51,498
WHAT'S THE SAME PAGE?

991
00:23:51,498 --> 00:23:53,065
HAPPY.

992
00:23:53,065 --> 00:23:53,966
WE GONNA CONTINUE ON

993
00:23:53,966 --> 00:23:55,134
THIS JOURNEY.

994
00:23:55,134 --> 00:23:56,068
WE GONNA CONTINUE GETTING

995
00:23:56,068 --> 00:23:57,236
THIS MONEY.

996
00:23:57,236 --> 00:23:58,104
AND YOU GONNA CONTINUE

997
00:23:58,104 --> 00:23:58,938
BEING HAPPY.

998
00:23:58,938 --> 00:23:59,939
AND THAT'S IT.

999
00:23:59,939 --> 00:24:01,140
[scoffs]

1000
00:24:01,140 --> 00:24:02,742
STEVIE, WHAT YOU GONNA DO?

1001
00:24:02,742 --> 00:24:03,409
YOU GONNA CHANGE?

1002
00:24:03,409 --> 00:24:04,410
ARE YOU GONNA CHANGE?

1003
00:24:04,410 --> 00:24:05,512
I AM WHO I AM.

1004
00:24:05,512 --> 00:24:08,280
YOU KNOW, THAT WON'T CHANGE.

1005
00:24:08,280 --> 00:24:09,315
WHAT NEEDS TO CHANGE

1006
00:24:09,315 --> 00:24:11,417
IS MY BABY'S ATTITUDE.

1007
00:24:11,417 --> 00:24:13,520
AND THAT DON'T TAKE MUCH AT ALL.

1008
00:24:17,256 --> 00:24:20,326
SEE WHAT DADDY DO FOR YOU?

1009
00:24:20,326 --> 00:24:24,296
I LOVE IT.

1010
00:24:24,296 --> 00:24:26,365
STEVIE, ENOUGH ASS GRAPPING.

1011
00:24:26,365 --> 00:24:27,534
WHEN I FOUND OUT

1012
00:24:27,534 --> 00:24:28,701
THAT YOU HAD SEX WITH HIM

1013
00:24:28,701 --> 00:24:29,902
AND YOU DIDN'T TELL ME,

1014
00:24:29,902 --> 00:24:30,870
YOU HURT ME, ARIANE!

1015
00:24:30,870 --> 00:24:31,771
AND I TOLD YOU I WASN'T

1016
00:24:31,771 --> 00:24:32,805
TRYING TO.

1017
00:24:32,805 --> 00:24:34,340
I TOLD YOU THAT.

1018
00:24:34,340 --> 00:24:35,341
WHAT MORE DO YOU WANT ME TO SAY?

1019
00:24:35,341 --> 00:24:36,776
I WAS NOT TRYING TO HURT YOU.

1020
00:24:36,776 --> 00:24:38,811
WELL, YOU DID!

1021
00:24:43,249 --> 00:24:44,250
[energetic electronic music]

1022
00:24:44,250 --> 00:24:49,922
♪

1023
00:24:49,922 --> 00:24:51,023
PARTY, PARTY, PARTY.

1024
00:24:51,023 --> 00:24:53,092
LET'S ALL GET WASTED.

1025
00:24:53,092 --> 00:24:54,193
[laughing]

1026
00:24:54,193 --> 00:24:55,628
WHEN ERICA INVITED ME AND ARIANE

1027
00:24:55,628 --> 00:24:56,696
TO HER ENGAGEMENT PARTY,

1028
00:24:56,696 --> 00:24:58,565
I WAS REALLY EXCITED FOR HER.

1029
00:24:58,565 --> 00:24:59,465
HELL, I HAVEN'T EVEN SEEN

1030
00:24:59,465 --> 00:25:00,967
THE DAMN RING YET.

1031
00:25:00,967 --> 00:25:02,401
WHO'S GONNA BE THERE?

1032
00:25:02,401 --> 00:25:05,071
UM, I'M NOT SURE EXACTLY.

1033
00:25:05,071 --> 00:25:07,239
I KNOW K. PUT THIS TOGETHER,

1034
00:25:07,239 --> 00:25:08,174
SO...

1035
00:25:08,174 --> 00:25:10,577
[imitates retching]

1036
00:25:10,577 --> 00:25:12,178
DON'T GO IN HER PARTY

1037
00:25:12,178 --> 00:25:13,913
ACTING NO FOOL, ARIANE.

1038
00:25:13,913 --> 00:25:14,847
K.MICHELLE AND I

1039
00:25:14,847 --> 00:25:15,915
AREN'T ON SPEAKING TERMS

1040
00:25:15,915 --> 00:25:16,883
RIGHT NOW.

1041
00:25:16,883 --> 00:25:18,785
IT'S BECAUSE I DID AN INTERVIEW

1042
00:25:18,785 --> 00:25:20,452
THAT SHE HEARD ABOUT

1043
00:25:20,452 --> 00:25:21,453
OR LISTENED TO.

1044
00:25:21,453 --> 00:25:23,222
I JUST ADMITTED TO A SITUATION

1045
00:25:23,222 --> 00:25:24,123
THAT I WAS IN WITH

1046
00:25:24,123 --> 00:25:25,925
K.MICHELLE'S EX.

1047
00:25:25,925 --> 00:25:28,928
IT WAS JUST SEX, AND...

1048
00:25:28,928 --> 00:25:29,729
I REALLY DON'T UNDERSTAND

1049
00:25:29,729 --> 00:25:31,063
WHAT THE BIG DEAL IS.

1050
00:25:31,063 --> 00:25:32,098
I WAS SUPPOSED TO GO TO HER

1051
00:25:32,098 --> 00:25:33,900
SHOW IN NEW YORK, AND SHE HIT

1052
00:25:33,900 --> 00:25:34,834
ME AND WAS LIKE, "I DON'T THINK

1053
00:25:34,834 --> 00:25:35,735
YOU SHOULD COME, BECAUSE

1054
00:25:35,735 --> 00:25:36,769
I LISTENED TO THE INTERVIEW,

1055
00:25:36,769 --> 00:25:37,469
AND YOU SHOULD GO BE HIS

1056
00:25:37,469 --> 00:25:38,404
FRIEND."

1057
00:25:38,404 --> 00:25:39,471
WHAT?

1058
00:25:39,471 --> 00:25:40,139
OH, WOW.

1059
00:25:40,139 --> 00:25:41,307
I WAS LIKE, WHAT?

1060
00:25:41,307 --> 00:25:42,842
I DON'T UNDERSTAND WHAT SHE

1061
00:25:42,842 --> 00:25:44,343
REALLY WAS UPSET ABOUT.

1062
00:25:44,343 --> 00:25:45,477
WELL, YOU'RE NOT GOING TO

1063
00:25:45,477 --> 00:25:46,879
UNTIL YOU GUYS TALK.

1064
00:25:46,879 --> 00:25:47,980
YOU'RE NOT GONNA UNDERSTAND IT,

1065
00:25:47,980 --> 00:25:49,415
SO...

1066
00:25:49,415 --> 00:25:50,182
I DON'T HAVE ANY BEEF

1067
00:25:50,182 --> 00:25:50,850
WITH HER.

1068
00:25:50,850 --> 00:25:51,618
LIKE, I--YOU KNOW,

1069
00:25:51,618 --> 00:25:52,619
I REALLY DON'T.

1070
00:25:52,619 --> 00:25:53,686
LIKE, WE JUST--I WANT TO GET

1071
00:25:53,686 --> 00:25:55,154
THIS ISSUE OUT OF THE WAY,

1072
00:25:55,154 --> 00:25:57,323
TALK ABOUT IT.

1073
00:25:57,323 --> 00:25:58,691
UH, IF SHE WANT TO SQUARE UP,

1074
00:25:58,691 --> 00:25:59,992
WE CAN, YOU KNOW...

1075
00:25:59,992 --> 00:26:00,760
COME ON, NOW.

1076
00:26:00,760 --> 00:26:01,728
NO, MISSISSIPPI WILL COME

1077
00:26:01,728 --> 00:26:03,095
RIGHT UP OUT THIS THANG.

1078
00:26:03,095 --> 00:26:04,964
YOU KNOW HOW K. GET.

1079
00:26:04,964 --> 00:26:06,032
AND YOU KNOW SHE GONNA BE

1080
00:26:06,032 --> 00:26:06,733
DRINKING AND [bleep].

1081
00:26:06,733 --> 00:26:08,234
GET A DRINK IN THAT ASS

1082
00:26:08,234 --> 00:26:09,368
AND WHOO!

1083
00:26:09,368 --> 00:26:12,538
MISSISSIPPI AND MEMPHIS.

1084
00:26:12,538 --> 00:26:13,806
AIN'T THAT SOME [bleep].

1085
00:26:13,806 --> 00:26:14,841
WE RIGHT DOWN THE STREET

1086
00:26:14,841 --> 00:26:15,541
FROM EACH OTHER, GIRL.

1087
00:26:15,541 --> 00:26:16,643
WE FAMILY.

1088
00:26:16,643 --> 00:26:17,476
WHAT YOU WANT TO FIGHT?

1089
00:26:17,476 --> 00:26:18,711
WANT TO FIGHT?

1090
00:26:18,711 --> 00:26:20,179
[chuckles]

1091
00:26:20,179 --> 00:26:20,980
I WANT A FRONT ROW SEAT

1092
00:26:20,980 --> 00:26:21,748
TO THAT ONE.

1093
00:26:21,748 --> 00:26:23,049
I KNOW YOU WILL.

1094
00:26:23,049 --> 00:26:25,084
[laughter]

1095
00:26:26,218 --> 00:26:27,219
[upbeat Latin-infused music]

1096
00:26:27,219 --> 00:26:33,259
♪

1097
00:26:35,762 --> 00:26:37,429
ON THE COUNT OF THREE,

1098
00:26:37,429 --> 00:26:40,667
LET'S TOAST HAVING BIG BUTTS,

1099
00:26:40,667 --> 00:26:42,568
BUT NOT BEING SLUTS.

1100
00:26:42,568 --> 00:26:45,004
OKAY.

1101
00:26:45,004 --> 00:26:45,805
ALL RIGHT, I'MA FINISH.

1102
00:26:45,805 --> 00:26:47,840
GO.

1103
00:26:50,677 --> 00:26:52,178
OH!

1104
00:26:52,178 --> 00:26:54,146
PARTY'S STARTED.

1105
00:26:54,146 --> 00:26:54,881
HEY.

1106
00:26:54,881 --> 00:26:55,982
HOW YOU BEEN?

1107
00:26:55,982 --> 00:26:56,983
MS. WOMAN.

1108
00:26:56,983 --> 00:26:57,984
CONGRATULATIONS, ERICA,

1109
00:26:57,984 --> 00:26:59,251
REALLY.

1110
00:26:59,251 --> 00:27:00,086
THAT WAS BIG.

1111
00:27:00,086 --> 00:27:00,853
THANK YOU.

1112
00:27:00,853 --> 00:27:01,688
SO HOW ARE THINGS

1113
00:27:01,688 --> 00:27:02,689
WITH YOU AND STEVIE?

1114
00:27:02,689 --> 00:27:04,691
GIRL, OKAY.

1115
00:27:04,691 --> 00:27:05,424
SHE UP TO NO GOOD.

1116
00:27:05,424 --> 00:27:06,358
I SEE HER FACE.

1117
00:27:06,358 --> 00:27:07,159
IT'S NOT NO GOOD.

1118
00:27:07,159 --> 00:27:08,494
LET ME JUST--LET ME TELL YOU.

1119
00:27:08,494 --> 00:27:09,228
OKAY.

1120
00:27:09,228 --> 00:27:11,864
I ENDED UP MOVING IN

1121
00:27:11,864 --> 00:27:13,365
TO STEVIE'S PLACE.

1122
00:27:13,365 --> 00:27:14,333
WHAT?

1123
00:27:14,333 --> 00:27:15,267
WAIT. WAIT. WAIT.

1124
00:27:15,267 --> 00:27:16,703
LET'S TAKE THIS BACK.

1125
00:27:16,703 --> 00:27:17,804
NOT WHAT YOU THINK.

1126
00:27:17,804 --> 00:27:18,470
I HAD TO GET THAT BITCH

1127
00:27:18,470 --> 00:27:19,138
OUT OF THE HOUSE.

1128
00:27:19,138 --> 00:27:19,839
YOU NOT GONNA BE AROUND MY

1129
00:27:19,839 --> 00:27:20,707
DAUGHTER, PERIOD.

1130
00:27:20,707 --> 00:27:23,175
SO I'M AT THE HOUSE TEMPORARILY

1131
00:27:23,175 --> 00:27:24,777
UNTIL I GET MY PLACE.

1132
00:27:24,777 --> 00:27:26,412
OKAY.

1133
00:27:26,412 --> 00:27:28,881
I WAS LIKE, WHAT THE [bleep]?

1134
00:27:28,881 --> 00:27:30,549
LIKE, WHAT?

1135
00:27:30,549 --> 00:27:31,317
REALLY?

1136
00:27:31,317 --> 00:27:32,451
AFTER EVERYTHING?

1137
00:27:32,451 --> 00:27:34,586
BUT, I MEAN, WHO AM I TO JUDGE?

1138
00:27:34,586 --> 00:27:36,723
AND YOU, MA'AM, HOW YOU BEEN?

1139
00:27:36,723 --> 00:27:38,424
IT'S BEEN FOREVER.

1140
00:27:38,424 --> 00:27:39,926
HOW YOU BEEN?

1141
00:27:39,926 --> 00:27:40,592
GOOD.

1142
00:27:40,592 --> 00:27:44,897
I'M HAPPY RIGHT NOW, SO...

1143
00:27:44,897 --> 00:27:46,933
K., YOU OKAY?

1144
00:27:48,300 --> 00:27:49,468
WHAT'S BEEN GOING ON WITH YOU?

1145
00:27:49,468 --> 00:27:51,838
YOU--I TEXT YOU.

1146
00:27:51,838 --> 00:27:54,173
I SAID, "YOU WANT TO TALK?"

1147
00:27:54,173 --> 00:27:55,441
NO.

1148
00:27:55,441 --> 00:27:56,542
YOU DON'T?

1149
00:27:56,542 --> 00:27:57,243
NO, I JUST FEEL LIKE--

1150
00:27:57,243 --> 00:27:57,977
EVEN TO THIS MOMENT?

1151
00:27:57,977 --> 00:27:58,745
I JUST FEEL LIKE,

1152
00:27:58,745 --> 00:27:59,879
WHEN I LOVE,

1153
00:27:59,879 --> 00:28:00,780
I LOVE AT THE START,

1154
00:28:00,780 --> 00:28:01,513
YOU KNOW WHAT I'M SAYING?

1155
00:28:01,513 --> 00:28:02,849
I LOVE AT THE BEGINNING.

1156
00:28:02,849 --> 00:28:03,750
I DON'T LET PEOPLE INTO MY

1157
00:28:03,750 --> 00:28:04,616
WORLD.

1158
00:28:04,616 --> 00:28:05,384
I DON'T LET THAT,

1159
00:28:05,384 --> 00:28:06,786
AND I LET YOU INTO MY WORLD.

1160
00:28:06,786 --> 00:28:08,287
SO TO HEAR THAT YOU WERE

1161
00:28:08,287 --> 00:28:10,522
COMMENTING ON MY LIFE,

1162
00:28:10,522 --> 00:28:11,758
IT WAS NOT APPROPRIATE.

1163
00:28:11,758 --> 00:28:12,358
BUT THE WHOLE THING,

1164
00:28:12,358 --> 00:28:13,025
IT WASN'T YOUR LIFE.

1165
00:28:13,025 --> 00:28:13,926
IT WAS MY RELATIONSHIP WITH YOU.

1166
00:28:13,926 --> 00:28:15,527
IT'S MY LIFE.

1167
00:28:15,527 --> 00:28:16,763
BUT YOU--HOW YOU HANDLED

1168
00:28:16,763 --> 00:28:17,429
THE INTERVIEW--

1169
00:28:17,429 --> 00:28:18,130
BUT YOU CAN'T TELL ME

1170
00:28:18,130 --> 00:28:18,798
HOW TO TALK, K.

1171
00:28:18,798 --> 00:28:19,465
BUT HOW YOU HANDLED

1172
00:28:19,465 --> 00:28:20,466
THAT INTERVIEW ABOUT ME WAS

1173
00:28:20,466 --> 00:28:21,901
NOT APPROPRIATE,

1174
00:28:21,901 --> 00:28:23,469
AND YOU HURT ME.

1175
00:28:23,469 --> 00:28:24,336
I DIDN'T MEAN TO HURT YOU.

1176
00:28:24,336 --> 00:28:25,772
WELL, YOU DID.

1177
00:28:25,772 --> 00:28:26,538
YOU HAD SEX WITH HIM,

1178
00:28:26,538 --> 00:28:27,774
AND YOU DIDN'T TELL ME?

1179
00:28:27,774 --> 00:28:28,841
YOU SHOULD HAVE TOLD ME

1180
00:28:28,841 --> 00:28:29,575
FROM THE BEGINNING.

1181
00:28:29,575 --> 00:28:30,576
I FORGAVE YOU ONCE,

1182
00:28:30,576 --> 00:28:31,778
AND THERE WON'T BE A TWICE,

1183
00:28:31,778 --> 00:28:33,045
'CAUSE THE ONCE WAS--

1184
00:28:33,045 --> 00:28:33,780
THE ONCE WAS--

1185
00:28:33,780 --> 00:28:34,513
OKAY, THEN WE DON'T HAVE TO

1186
00:28:34,513 --> 00:28:35,281
TALK ABOUT IT NO MORE.

1187
00:28:35,281 --> 00:28:36,115
NO, I AIN'T DONE TALKING.

1188
00:28:36,115 --> 00:28:36,849
I STARTED, AND I GOT SOME

1189
00:28:36,849 --> 00:28:37,516
MARGARITA.

1190
00:28:37,516 --> 00:28:40,319
THE ONCE WAS--

1191
00:28:40,319 --> 00:28:41,587
DON'T YOU BE LAUGHING AT ME.

1192
00:28:41,587 --> 00:28:43,255
I'M NOT DEALING WITH YOU.

1193
00:28:43,255 --> 00:28:44,991
LAUGH!

1194
00:28:44,991 --> 00:28:45,792
AND I'M GOING TO

1195
00:28:45,792 --> 00:28:47,794
BECAUSE I LET YOU KNOW.

1196
00:28:47,794 --> 00:28:48,795
YOU HURT ME, ARIANE.

1197
00:28:48,795 --> 00:28:49,796
AND I TOLD YOU I WASN'T

1198
00:28:49,796 --> 00:28:50,797
TRYING TO.

1199
00:28:50,797 --> 00:28:52,164
I TOLD YOU THAT.

1200
00:28:52,164 --> 00:28:53,365
WHAT MORE DO YOU WANT ME TO SAY?

1201
00:28:53,365 --> 00:28:54,433
I WAS NOT TRYING TO HURT YOU.

1202
00:28:54,433 --> 00:28:55,401
IT HAD NOTHING TO DO WITH YOU.

1203
00:28:55,401 --> 00:28:56,368
I LIKE YOU.

1204
00:28:56,368 --> 00:28:57,036
AND I LIKE YOU TOO.

1205
00:28:57,036 --> 00:28:58,637
I SAID THAT IN THE INTERVIEW.

1206
00:28:58,637 --> 00:29:00,672
I SAID, "K., I LIKE K."

1207
00:29:00,672 --> 00:29:01,540
WE CAN RERUN THAT [bleep]

1208
00:29:01,540 --> 00:29:02,674
RIGHT NOW.

1209
00:29:02,674 --> 00:29:03,575
YOU WANT TO DO IT, WE CAN DO IT.

1210
00:29:03,575 --> 00:29:04,510
SHE LIKES K.!

1211
00:29:04,510 --> 00:29:06,412
DON'T [bleep] DO THAT.

1212
00:29:06,412 --> 00:29:07,814
DON'T DO THAT.

1213
00:29:07,814 --> 00:29:08,547
I KNOW WHEN I [bleep]

1214
00:29:08,547 --> 00:29:09,248
WITH SOMEBODY, I [bleep]

1215
00:29:09,248 --> 00:29:10,016
WITH THEM.

1216
00:29:10,016 --> 00:29:10,817
THEY ASKED ME A QUESTION--

1217
00:29:10,817 --> 00:29:11,818
AND I [bleep] WITH YOU.

1218
00:29:11,818 --> 00:29:12,852
AND I [bleep] WITH YOU TOO.

1219
00:29:12,852 --> 00:29:14,653
AND--BUT YOU--BUT YOU KNOW--

1220
00:29:14,653 --> 00:29:15,955
I WON'T HURT YOU AGAIN!

1221
00:29:15,955 --> 00:29:18,557
DONE.

1222
00:29:18,557 --> 00:29:19,358
Y'ALL [bleep] WITH EACH

1223
00:29:19,358 --> 00:29:20,426
OTHER.

1224
00:29:20,426 --> 00:29:21,227
YES!

1225
00:29:21,227 --> 00:29:23,462
YES, BABY, YES!

1226
00:29:23,462 --> 00:29:25,597
THERE IS LOVE IN HIP-HOP.

1227
00:29:25,597 --> 00:29:26,532
FOR ME, THAT'S LOVE

1228
00:29:26,532 --> 00:29:27,466
AND BASKETBALL.

1229
00:29:27,466 --> 00:29:28,400
ARIANE, HOW YOU DOING?

1230
00:29:28,400 --> 00:29:30,336
HOW YOU DOING?

1231
00:29:30,336 --> 00:29:32,371
GIVE ME A KISS.

1232
00:29:33,906 --> 00:29:34,740
AWW.

1233
00:29:34,740 --> 00:29:36,542
AWW, KUDOS.

1234
00:29:36,542 --> 00:29:37,343
OH!

1235
00:29:37,343 --> 00:29:38,911
SPIRIT FINGERS.

1236
00:29:38,911 --> 00:29:40,246
all: WHOO!

1237
00:29:40,246 --> 00:29:42,281
YEAH, BITCH.

1238
00:29:43,749 --> 00:29:45,651
ALL'S WELL THAT ENDS WELL.

1239
00:29:45,651 --> 00:29:48,454
BUT YOU JUST...

1240
00:29:48,454 --> 00:29:50,489
NEVER [bleep] KNOW

1241
00:29:50,489 --> 00:29:51,457
WITH THIS ONE.

1242
00:29:51,457 --> 00:29:52,458
I'M WILLING TO SEE.

1243
00:29:52,458 --> 00:29:54,493
ONLY TIME WILL TELL.

1244
00:29:55,461 --> 00:29:59,866
♪

1245
00:29:59,866 --> 00:30:00,900
IF YOU MY MAMA

1246
00:30:00,900 --> 00:30:01,934
AND I'M YOUR SON,

1247
00:30:01,934 --> 00:30:03,735
AND I'M GOING TO THE LEFT,

1248
00:30:03,735 --> 00:30:05,204
I THINK YOU SHOULD FOLLOW ME.

1249
00:30:05,204 --> 00:30:06,138
I'LL DO THAT,

1250
00:30:06,138 --> 00:30:07,974
BUT THEN, I LIKE SHAY,

1251
00:30:07,974 --> 00:30:10,042
AND SHE LOST A LITTLE MORE

1252
00:30:10,042 --> 00:30:13,512
WEIGHT, AND SHE LOOKING FINE.

1253
00:30:28,627 --> 00:30:30,329
BY PROPOSING TO ERICA,

1254
00:30:30,329 --> 00:30:32,398
MY SON IS MAKING THE BIGGEST

1255
00:30:32,398 --> 00:30:34,633
MISTAKE OF HIS LIFE.

1256
00:30:34,633 --> 00:30:35,868
MOMMA, WHAT'S HAPPENING?

1257
00:30:35,868 --> 00:30:37,703
HEY, MAMA BIG MAN.

1258
00:30:37,703 --> 00:30:38,670
WHAT'S GOING ON?

1259
00:30:38,670 --> 00:30:39,605
OH, NOTHING.

1260
00:30:39,605 --> 00:30:40,372
YOU KNOW, I COULD FIND YOU

1261
00:30:40,372 --> 00:30:42,008
IN A MILLION-MAN MARCH.

1262
00:30:42,008 --> 00:30:44,110
I KNOW WHAT MAKES MY SON HAPPY.

1263
00:30:44,110 --> 00:30:44,843
WOW.

1264
00:30:44,843 --> 00:30:46,645
AND IT AIN'T ERICA.

1265
00:30:46,645 --> 00:30:48,514
SHAY'S THE GIRL FOR SCRAPPY,

1266
00:30:48,514 --> 00:30:50,216
AND I'M HERE TO PRESENT

1267
00:30:50,216 --> 00:30:51,550
MY CASE.

1268
00:30:51,550 --> 00:30:53,719
YOU KNOW, AFTER THE INCIDENT

1269
00:30:53,719 --> 00:30:54,921
THAT HAPPENED BETWEEN YOU

1270
00:30:54,921 --> 00:30:56,122
AND SHAY, ARE Y'ALL STILL

1271
00:30:56,122 --> 00:30:59,591
FRIENDS OR--I MEAN...

1272
00:30:59,591 --> 00:31:01,060
I JUST WANT TO KNOW.

1273
00:31:01,060 --> 00:31:02,561
YOU WOULD, WOULDN'T YOU?

1274
00:31:02,561 --> 00:31:03,930
WHAT'S WRONG WITH THAT?

1275
00:31:03,930 --> 00:31:05,164
I HAVE CALLED HER,

1276
00:31:05,164 --> 00:31:05,932
YOU KNOW WHAT I'M SAYING--

1277
00:31:05,932 --> 00:31:08,000
SO WHAT WAS THAT ABOUT?

1278
00:31:08,000 --> 00:31:09,668
YOU KNOW, JUST TRYING TO--

1279
00:31:09,668 --> 00:31:10,436
JUST LET HER KNOW IT WASN'T

1280
00:31:10,436 --> 00:31:11,370
ON PURPOSE, YOU KNOW.

1281
00:31:11,370 --> 00:31:12,204
I WASN'T TRYING TO HURT

1282
00:31:12,204 --> 00:31:12,939
YOUR FEELINGS ON PURPOSE

1283
00:31:12,939 --> 00:31:14,240
OR NOTHING LIKE THAT.

1284
00:31:14,240 --> 00:31:15,307
YOU KNOW WHAT I'M SAYING?

1285
00:31:15,307 --> 00:31:16,708
YOU KNOW, WE GOT HISTORY.

1286
00:31:16,708 --> 00:31:18,777
YOU KNOW, WE GO WAY BACK.

1287
00:31:18,777 --> 00:31:19,511
YES, YOU DO.

1288
00:31:19,511 --> 00:31:20,679
I KNOW HOW WE IS WHEN WE GET

1289
00:31:20,679 --> 00:31:21,948
TO GETTING AROUND EACH OTHER,

1290
00:31:21,948 --> 00:31:22,714
AND I AIN'T EVEN TRYING TO MESS

1291
00:31:22,714 --> 00:31:23,649
UP WHAT I GOT GOING ON WITH

1292
00:31:23,649 --> 00:31:24,550
ERICA.

1293
00:31:24,550 --> 00:31:25,684
I'M TRYING TO WORK ON THAT.

1294
00:31:25,684 --> 00:31:27,753
YOU SURE?

1295
00:31:27,753 --> 00:31:28,955
WHAT YOU MEAN, AM I SURE?

1296
00:31:28,955 --> 00:31:30,122
YOU SURE THAT'S THE DIRECTION

1297
00:31:30,122 --> 00:31:31,390
YOU WANT TO GO IN?

1298
00:31:31,390 --> 00:31:32,691
I AIN'T GOT NO HARD FEELINGS

1299
00:31:32,691 --> 00:31:35,527
AGAINST SHAY, BUT IT'S LIKE,

1300
00:31:35,527 --> 00:31:36,963
WHEN IT'S OVER, IT'S OVER.

1301
00:31:36,963 --> 00:31:37,729
YOU KNOW WHAT I'M SAYING?

1302
00:31:37,729 --> 00:31:39,365
SO I JUST WANT MOMMA

1303
00:31:39,365 --> 00:31:40,232
TO GO WITH THE FAM,

1304
00:31:40,232 --> 00:31:41,167
YOU KNOW WHAT I'M SAYING,

1305
00:31:41,167 --> 00:31:42,969
AND NOT WITH THE FRIEND.

1306
00:31:42,969 --> 00:31:44,836
IF YOU MY MAMA AND I'M YOUR SON,

1307
00:31:44,836 --> 00:31:46,605
AND I'M GOING TO THE LEFT,

1308
00:31:46,605 --> 00:31:47,406
I THINK YOU SHOULD FOLLOW ME

1309
00:31:47,406 --> 00:31:48,140
LEFT.

1310
00:31:48,140 --> 00:31:49,541
I MEAN, I'LL DO THAT,

1311
00:31:49,541 --> 00:31:51,343
BUT THEN, I LIKE SHAY.

1312
00:31:51,343 --> 00:31:52,979
AND LET ME TELL YOU SOMETHING.

1313
00:31:52,979 --> 00:31:55,381
SHE DID EXPRESS HER UNDYING LOVE

1314
00:31:55,381 --> 00:31:57,283
TO YOU AND THAT, YOU KNOW,

1315
00:31:57,283 --> 00:31:59,318
SHE LOST A LITTLE MORE WEIGHT

1316
00:31:59,318 --> 00:32:03,789
AND SHE LOOKING FINE.

1317
00:32:03,789 --> 00:32:05,491
EVERYBODY KNOWS WHEN A PERSON'S

1318
00:32:05,491 --> 00:32:07,226
MORE IN LOVE WITH YOU

1319
00:32:07,226 --> 00:32:08,527
THAN YOU ARE WITH THEM,

1320
00:32:08,527 --> 00:32:10,296
THEN YOU GET TOP DOLLAR.

1321
00:32:10,296 --> 00:32:11,797
SHE ADORES THE WAY HE WALKS,

1322
00:32:11,797 --> 00:32:13,265
HE TALKS, HE SLEEPS.

1323
00:32:13,265 --> 00:32:16,102
SHE FEEDS OFF HIS ENERGY.

1324
00:32:16,102 --> 00:32:17,669
AND THAT SON OF MINE'S

1325
00:32:17,669 --> 00:32:19,138
CAN'T SEE IT?

1326
00:32:19,138 --> 00:32:20,106
HUH.

1327
00:32:20,106 --> 00:32:21,007
THERE'S TOO MUCH FOREST

1328
00:32:21,007 --> 00:32:23,342
AND TREES IN THE MIX.

1329
00:32:23,342 --> 00:32:25,011
IF SHE HIT YOU UP,

1330
00:32:25,011 --> 00:32:27,646
WOULD YOU HAVE LUNCH WITH HER?

1331
00:32:27,646 --> 00:32:29,615
YOU KNOW, JUST TO BE A BASIC

1332
00:32:29,615 --> 00:32:31,017
CONVERSATION, "HOW YOU DOING

1333
00:32:31,017 --> 00:32:32,184
AND HOW THINGS BEEN GOING ON

1334
00:32:32,184 --> 00:32:33,219
WITH YOU."

1335
00:32:33,219 --> 00:32:34,586
WOULD YOU?

1336
00:32:34,586 --> 00:32:35,787
NOT RIGHT NOW.

1337
00:32:35,787 --> 00:32:36,855
OH, YOU JUST KNOW YOU JUST

1338
00:32:36,855 --> 00:32:37,923
WANT TO.

1339
00:32:37,923 --> 00:32:38,824
CHILL OUT ON THAT,

1340
00:32:38,824 --> 00:32:39,525
YOU KNOW WHAT I'M SAYING?

1341
00:32:39,525 --> 00:32:41,460
LIKE, YOU KNOW, YOUR

1342
00:32:41,460 --> 00:32:43,029
SOON-TO-BE DAUGHTER-IN-LAW...

1343
00:32:43,029 --> 00:32:43,695
OKAY.

1344
00:32:43,695 --> 00:32:44,363
GET COOL WITH HER,

1345
00:32:44,363 --> 00:32:45,731
YOU KNOW WHAT I'M SAYING?

1346
00:32:45,731 --> 00:32:46,432
OH, WELL, ALL RIGHT.

1347
00:32:46,432 --> 00:32:47,333
THANKSGIVING.

1348
00:32:47,333 --> 00:32:49,135
MERRY CHRISTMAS.

1349
00:32:49,135 --> 00:32:50,236
BIRTHDAYS.

1350
00:32:50,236 --> 00:32:51,437
YOU KNOW WHAT I'M SAYING?

1351
00:32:51,437 --> 00:32:52,438
YEAH, COME ON, LET'S GET IT

1352
00:32:52,438 --> 00:32:53,139
TOGETHER.

1353
00:32:53,139 --> 00:32:54,206
YOU KNOW WHAT I'M SAYING?

1354
00:32:54,206 --> 00:32:55,174
FOR REAL.

1355
00:32:55,174 --> 00:32:56,042
WELL...

1356
00:32:56,042 --> 00:32:57,643
'CAUSE THAT ONE GONE.

1357
00:32:57,643 --> 00:33:00,046
UH, ANYWAY,

1358
00:33:00,046 --> 00:33:01,680
MOMMA LOVE YOU SO.

1359
00:33:01,680 --> 00:33:03,682
I LOVE YOU.

1360
00:33:03,682 --> 00:33:04,583
I DON'T WANT ERICA TO SEE

1361
00:33:04,583 --> 00:33:05,517
THAT LIPSTICK.

1362
00:33:05,517 --> 00:33:06,218
SHE MIGHT THINK IT CAME

1363
00:33:06,218 --> 00:33:06,952
FROM SHAY.

1364
00:33:06,952 --> 00:33:08,520
SHE WOULDN'T THINK THAT.

1365
00:33:08,520 --> 00:33:09,788
SHE WOULD NEVER THINK THAT.

1366
00:33:09,788 --> 00:33:10,789
SHE MIGHT.

1367
00:33:10,789 --> 00:33:13,459
NO, SHE WOULDN'T.

1368
00:33:13,459 --> 00:33:14,793
POO-POO,

1369
00:33:14,793 --> 00:33:17,929
I WANT TO GET A BLUE ONE, COZ.

1370
00:33:30,509 --> 00:33:32,111
YOU HAPPY THESE DAYS?

1371
00:33:32,111 --> 00:33:33,612
DECENT.

1372
00:33:33,612 --> 00:33:34,346
DECENT?

1373
00:33:34,346 --> 00:33:36,682
YEAH.

1374
00:33:36,682 --> 00:33:37,616
'CAUSE I COULD TELL WHEN YOU

1375
00:33:37,616 --> 00:33:38,484
LOOK AT ME AND WHEN YOU TALK TO

1376
00:33:38,484 --> 00:33:39,585
ME AND WHEN YOU SMILE AT ME,

1377
00:33:39,585 --> 00:33:41,120
IT'S LIKE REAL BLANK SPACE

1378
00:33:41,120 --> 00:33:42,388
WITH US RIGHT NOW,

1379
00:33:42,388 --> 00:33:43,922
A REAL GRAY AREA

1380
00:33:43,922 --> 00:33:46,292
THAT WE GOT TO FILL IN.

1381
00:33:46,292 --> 00:33:47,159
WHAT ARE WE GONNA DO ABOUT

1382
00:33:47,159 --> 00:33:49,761
THE GRAY AREA?

1383
00:33:49,761 --> 00:33:50,862
THAT WOULD BE A QUESTION

1384
00:33:50,862 --> 00:33:53,499
THAT I WOULD ASK YOU.

1385
00:33:53,499 --> 00:33:54,533
GET SOME CRAYONS.

1386
00:33:54,533 --> 00:33:56,202
GET SOME OF EVA'S CRAYONS.

1387
00:33:56,202 --> 00:33:57,103
FILL IT IN.

1388
00:33:57,103 --> 00:33:58,404
FILLING IN.

1389
00:33:58,404 --> 00:33:59,438
I CAN'T BELIEVE I'M SAYING

1390
00:33:59,438 --> 00:34:00,706
THIS, BUT EVER SINCE

1391
00:34:00,706 --> 00:34:01,873
STEVIE KICKED JOSELINE

1392
00:34:01,873 --> 00:34:03,375
OUT OF THE HOUSE, THE THREE

1393
00:34:03,375 --> 00:34:04,576
OF US HAVE BEEN SPENDING

1394
00:34:04,576 --> 00:34:06,112
MORE TIME TOGETHER,

1395
00:34:06,112 --> 00:34:08,214
AND LIFE IS DRAMA-FREE.

1396
00:34:08,214 --> 00:34:09,315
BUT IF STEVIE THINKS HE'S GONNA

1397
00:34:09,315 --> 00:34:11,283
ADD SOME "COLOR" TO OUR

1398
00:34:11,283 --> 00:34:13,885
RELATIONSHIP...

1399
00:34:13,885 --> 00:34:15,687
HE'S IN NEVER-NEVER LAND.

1400
00:34:15,687 --> 00:34:16,655
GREEN WORKS.

1401
00:34:16,655 --> 00:34:18,157
IT'S THAT EASY?

1402
00:34:18,157 --> 00:34:19,325
I MEAN, YEAH, EVERYTHING

1403
00:34:19,325 --> 00:34:20,126
IS EASY AS WE MAKE IT.

1404
00:34:20,126 --> 00:34:20,792
WHOA, WHOA, WHOA.

1405
00:34:20,792 --> 00:34:21,627
GREEN WORKS?

1406
00:34:21,627 --> 00:34:22,361
YEAH.

1407
00:34:22,361 --> 00:34:23,195
WHAT DOES THAT MEAN?

1408
00:34:23,195 --> 00:34:26,798
I MEAN, GREEN WORKS.

1409
00:34:26,798 --> 00:34:27,999
YOU NEED SOMETHING?

1410
00:34:27,999 --> 00:34:29,135
DON'T BE--DON'T--

1411
00:34:29,135 --> 00:34:30,136
MM-MMM, MM-MMM.

1412
00:34:30,136 --> 00:34:32,238
YOU BELIEVE THAT MONEY

1413
00:34:32,238 --> 00:34:33,372
FIXES EVERYTHING,

1414
00:34:33,372 --> 00:34:34,406
AND IT DOES NOT.

1415
00:34:34,406 --> 00:34:36,775
IT FIXES 89.95%

1416
00:34:36,775 --> 00:34:37,509
OF EVERYTHING.

1417
00:34:37,509 --> 00:34:38,544
WELL, THE OTHER PERCENTAGE

1418
00:34:38,544 --> 00:34:40,546
IS MY ISSUE,

1419
00:34:40,546 --> 00:34:41,680
NOT THE MONEY.

1420
00:34:41,680 --> 00:34:43,449
AND THE MONEY WILL NOT FIX

1421
00:34:43,449 --> 00:34:44,283
WHAT I HAVE A PROBLEM WITH

1422
00:34:44,283 --> 00:34:45,184
WITH YOU.

1423
00:34:45,184 --> 00:34:45,851
IT WON'T?

1424
00:34:45,851 --> 00:34:46,652
NOT AT ALL.

1425
00:34:46,652 --> 00:34:47,319
I DON'T GIVE--

1426
00:34:47,319 --> 00:34:48,053
GIFTS?

1427
00:34:48,053 --> 00:34:48,954
NO.

1428
00:34:48,954 --> 00:34:49,621
YOU COULD GIFT--

1429
00:34:49,621 --> 00:34:50,422
CARS, DIAMONDS?

1430
00:34:50,422 --> 00:34:52,691
YOU COULD GIFT DIAMOND,

1431
00:34:52,691 --> 00:34:54,526
MAKE ME UNTIL YOU TURN--

1432
00:34:54,526 --> 00:34:55,427
BAGS?

1433
00:34:55,427 --> 00:34:56,162
BAG ME.

1434
00:34:56,162 --> 00:34:56,995
LOUIS STEWART BAGS?

1435
00:34:56,995 --> 00:34:59,298
I AIN'T SEEN ONE YET.

1436
00:34:59,298 --> 00:35:00,432
WHAT I GOT TO DO?

1437
00:35:00,432 --> 00:35:01,600
YOU SHOULDN'T ASK ME

1438
00:35:01,600 --> 00:35:02,834
WHAT YOU SHOULD DO.

1439
00:35:02,834 --> 00:35:04,770
YOU, KNOWING ME

1440
00:35:04,770 --> 00:35:05,671
AND KNOWING ME AS LONG

1441
00:35:05,671 --> 00:35:07,373
AS YOU HAVE, SHOULD KNOW

1442
00:35:07,373 --> 00:35:09,775
EXACTLY WHAT TO DO.

1443
00:35:09,775 --> 00:35:11,210
I WANT TO DO THAT.

1444
00:35:11,210 --> 00:35:11,977
I WANT TO TRY TO DO THAT.

1445
00:35:11,977 --> 00:35:12,678
IT'S LIKE...

1446
00:35:12,678 --> 00:35:13,512
[imitates brakes squealing]

1447
00:35:13,512 --> 00:35:14,680
PUT THE BLOCK UP.

1448
00:35:14,680 --> 00:35:16,182
WHY DO I DO THAT?

1449
00:35:16,182 --> 00:35:17,516
INSECURITIES.

1450
00:35:17,516 --> 00:35:18,717
UH, WHOA, WHOA, WHOA.

1451
00:35:18,717 --> 00:35:19,518
MY INSECURITY?

1452
00:35:19,518 --> 00:35:20,552
I MEAN, YEAH, OF BEING--

1453
00:35:20,552 --> 00:35:21,220
CAN I JUST FINISH WHAT

1454
00:35:21,220 --> 00:35:21,887
I WAS GONNA SAY?

1455
00:35:21,887 --> 00:35:23,189
OF BEING HURT AGAIN.

1456
00:35:23,189 --> 00:35:24,356
YOU KNOW WHAT I'M SAYING?

1457
00:35:24,356 --> 00:35:25,191
ALL THE PREVIOUS THINGS

1458
00:35:25,191 --> 00:35:26,658
THAT I'VE DONE.

1459
00:35:26,658 --> 00:35:27,493
AND I MEAN THAT WOULD CAUSE

1460
00:35:27,493 --> 00:35:28,227
A PERSON--

1461
00:35:28,227 --> 00:35:28,994
IS THAT THE DOOR?

1462
00:35:28,994 --> 00:35:29,761
YEAH, THAT'S THE DOOR.

1463
00:35:29,761 --> 00:35:30,462
STEVIE, WHAT, YOU GOT

1464
00:35:30,462 --> 00:35:31,530
THE HEATER ON IN HERE?

1465
00:35:31,530 --> 00:35:32,431
IT'S HOT IN--

1466
00:35:32,431 --> 00:35:33,098
YEAH.

1467
00:35:33,098 --> 00:35:34,032
WHAT'S UP?

1468
00:35:34,032 --> 00:35:35,601
LET'S GO TO THE STUDIO.

1469
00:35:35,601 --> 00:35:36,335
HOW YOU DOING?

1470
00:35:36,335 --> 00:35:37,002
EH!

1471
00:35:37,002 --> 00:35:37,969
DON'T BE TOUCHING UP ON ME.

1472
00:35:37,969 --> 00:35:38,870
OKAY.

1473
00:35:38,870 --> 00:35:39,871
YOU NOT GONNA SPEAK?

1474
00:35:39,871 --> 00:35:41,207
HEY, MAID.

1475
00:35:41,207 --> 00:35:42,040
I SEE YOU GOT ON YOUR MAID

1476
00:35:42,040 --> 00:35:43,642
OUTFIT LIKE YOU ALWAYS DO.

1477
00:35:43,642 --> 00:35:44,510
I DON'T BLAME YOU.

1478
00:35:44,510 --> 00:35:45,577
MAID OUTFIT?

1479
00:35:45,577 --> 00:35:46,778
I HAVE ON A T-SHIRT.

1480
00:35:46,778 --> 00:35:47,613
BETTER GET THE [bleep]

1481
00:35:47,613 --> 00:35:48,447
OUT OF HERE.

1482
00:35:48,447 --> 00:35:49,215
AIN'T THAT WHAT YOU CLEAN

1483
00:35:49,215 --> 00:35:49,881
WITH?

1484
00:35:49,881 --> 00:35:50,582
YOU NEED TO BUY HER A FUR

1485
00:35:50,582 --> 00:35:51,617
LIKE YOU BOUGHT ME ONE.

1486
00:35:51,617 --> 00:35:52,484
GET THIS HO OUT THE HOUSE.

1487
00:35:52,484 --> 00:35:53,385
LET'S GO DO MY--

1488
00:35:53,385 --> 00:35:54,486
GET THIS BITCH OUT THE HOUSE

1489
00:35:54,486 --> 00:35:55,654
NOW.

1490
00:35:55,654 --> 00:35:56,588
I'M LIKE, YOU KNOW WHAT?

1491
00:35:56,588 --> 00:35:57,789
I'MA WORK THIS BITCH.

1492
00:35:57,789 --> 00:35:58,724
SINCE SHE WORKED ME

1493
00:35:58,724 --> 00:36:00,226
WHEN SHE "THINKS SHE PUT ME

1494
00:36:00,226 --> 00:36:00,926
OUT THE HOUSE"--

1495
00:36:00,926 --> 00:36:01,693
BITCH, YOU AIN'T PUT ME

1496
00:36:01,693 --> 00:36:02,494
OUT THE HOUSE.

1497
00:36:02,494 --> 00:36:03,329
I PUT MYSELF OUT THE HOUSE.

1498
00:36:03,329 --> 00:36:04,396
SO NOW I'MA SHOW YOU

1499
00:36:04,396 --> 00:36:06,398
I CAN TAKE YOUR MAN AGAIN

1500
00:36:06,398 --> 00:36:07,633
IF I WANTED TO,

1501
00:36:07,633 --> 00:36:08,834
MOLLY THE MAID.

1502
00:36:08,834 --> 00:36:09,568
I DON'T GIVE A [bleep]

1503
00:36:09,568 --> 00:36:10,369
WHERE YOU GO.

1504
00:36:10,369 --> 00:36:11,237
TAKE THAT [bleep] TO THE MOON.

1505
00:36:11,237 --> 00:36:12,070
BUT YOU CAN GET HER THE [bleep]

1506
00:36:12,070 --> 00:36:12,738
OUT OF MY FACE.

1507
00:36:12,738 --> 00:36:13,705
LET'S GO, 'CAUSE I DON'T WANT

1508
00:36:13,705 --> 00:36:14,606
TO TALK TO THIS MAID.

1509
00:36:14,606 --> 00:36:15,574
WE CAN'T HAVE A CONVERSATION?

1510
00:36:15,574 --> 00:36:16,508
GET THE BITCH OUT OF THE

1511
00:36:16,508 --> 00:36:17,576
[bleep] HOUSE.

1512
00:36:17,576 --> 00:36:18,444
PLEASE GET THAT [bleep]

1513
00:36:18,444 --> 00:36:19,144
OUT OF HERE.

1514
00:36:19,144 --> 00:36:19,845
LET HER CRY.

1515
00:36:19,845 --> 00:36:20,746
BOTH OF YOU MOTHER[bleep]

1516
00:36:20,746 --> 00:36:21,680
GET THE [bleep] OUT THE HOUSE.

1517
00:36:21,680 --> 00:36:22,681
I GOT TO GET SOME SHOES.

1518
00:36:22,681 --> 00:36:23,649
YOU SLUT-ASS BITCH.

1519
00:36:23,649 --> 00:36:24,483
I'LL THROW YOU SOME SHOES

1520
00:36:24,483 --> 00:36:25,617
DOWNSTAIRS.

1521
00:36:25,617 --> 00:36:26,385
[bleep] TAKING YOUR MAN

1522
00:36:26,385 --> 00:36:27,085
AGAIN.

1523
00:36:27,085 --> 00:36:27,919
PROSTITUTE.

1524
00:36:27,919 --> 00:36:28,887
LET'S GO, STEVIE.

1525
00:36:28,887 --> 00:36:29,588
ALL THESE GREAT DEALS

1526
00:36:29,588 --> 00:36:30,856
ON THE TABLE, AND YOU WANT ME

1527
00:36:30,856 --> 00:36:31,523
TO SIT UP THERE AND WASTE

1528
00:36:31,523 --> 00:36:32,758
MY TIME WITH YOUR MAID.

1529
00:36:32,758 --> 00:36:33,525
SHE NEEDS TO COME CLEAN

1530
00:36:33,525 --> 00:36:34,360
MY CONDO.

1531
00:36:34,360 --> 00:36:35,261
THAT'S WHAT SHE NEEDS TO DO.

1532
00:36:35,261 --> 00:36:36,127
MY DOOR'S ALWAYS OPEN

1533
00:36:36,127 --> 00:36:37,496
FOR JOSELINE, BUT AT LEAST

1534
00:36:37,496 --> 00:36:38,330
RING THE DOORBELL OR SOME

1535
00:36:38,330 --> 00:36:38,997
[bleep].

1536
00:36:38,997 --> 00:36:39,831
YOU KNOW WHAT I'M SAYING?

1537
00:36:39,831 --> 00:36:40,766
IT'S JUST LIKE, YOU JUST BARGING

1538
00:36:40,766 --> 00:36:41,833
IN THE JOINT.

1539
00:36:41,833 --> 00:36:42,601
NOW I FEEL LIKE I'M MOLLY

1540
00:36:42,601 --> 00:36:43,702
THE MAID AND I GOT TO CLEAN

1541
00:36:43,702 --> 00:36:45,571
THIS MESS UP.

1542
00:36:45,571 --> 00:36:46,738
THIS BITCH WANT TO CALL ME

1543
00:36:46,738 --> 00:36:47,739
A [bleep] MAID AND EVERYTHING

1544
00:36:47,739 --> 00:36:48,874
ELSE, AND YOU NOT GONNA SAY

1545
00:36:48,874 --> 00:36:49,941
[bleep]?

1546
00:36:49,941 --> 00:36:50,676
IT WAS A JOKE.

1547
00:36:50,676 --> 00:36:51,510
SHE MADE A JOKE.

1548
00:36:51,510 --> 00:36:54,112
YOU GET YOUR [bleep]...

1549
00:37:02,288 --> 00:37:05,424
ONCE AGAIN, AFTER 15 YEARS

1550
00:37:05,424 --> 00:37:07,058
OF KNOWING THIS MOTHER[bleep],

1551
00:37:07,058 --> 00:37:08,794
I STILL WANT TO BELIEVE

1552
00:37:08,794 --> 00:37:09,761
AND LISTEN.

1553
00:37:09,761 --> 00:37:11,430
GOT TO BE NICE, MIMI.

1554
00:37:11,430 --> 00:37:13,299
GET MORE BEES WITH HONEY.

1555
00:37:13,299 --> 00:37:15,634
IT'S ALL BULL[bleep].

1556
00:37:15,634 --> 00:37:16,568
AS SOON AS THAT GORILLA

1557
00:37:16,568 --> 00:37:17,469
WALKED THROUGH THE DOOR,

1558
00:37:17,469 --> 00:37:19,204
HE WENT BACK ON EVERYTHING

1559
00:37:19,204 --> 00:37:20,739
HE SAID, DEFENDING ME,

1560
00:37:20,739 --> 00:37:22,574
DEFENDING HIS DAUGHTER,

1561
00:37:22,574 --> 00:37:23,475
HIS FAMILY.

1562
00:37:23,475 --> 00:37:24,743
HE DIDN'T DO [bleep].

1563
00:37:24,743 --> 00:37:25,711
YOU GONNA MAKE THIS BITCH

1564
00:37:25,711 --> 00:37:26,512
COME HERE WHERE I STAY

1565
00:37:26,512 --> 00:37:27,646
AND YOUR DAUGHTER AND [bleep]

1566
00:37:27,646 --> 00:37:28,947
DISRESPECT?

1567
00:37:28,947 --> 00:37:30,015
WHY CAN'T YOU TAKE THE

1568
00:37:30,015 --> 00:37:31,817
INITIATIVE TO GET THE BITCH

1569
00:37:31,817 --> 00:37:33,184
OUT OF THE [bleep] HOUSE?

1570
00:37:33,184 --> 00:37:34,119
OR MAYBE YOU DON'T SEE

1571
00:37:34,119 --> 00:37:35,153
THIS DISRESPECT,

1572
00:37:35,153 --> 00:37:35,987
'CAUSE YOU'RE SO FAR

1573
00:37:35,987 --> 00:37:36,955
UP THIS [bleep] ASS,

1574
00:37:36,955 --> 00:37:38,824
YOU CAN'T THINK STRAIGHT.

1575
00:37:38,824 --> 00:37:41,059
AND YOU BUYING BITCH'S FURS?

1576
00:37:41,059 --> 00:37:41,860
THAT'S WHAT YOU DOING?

1577
00:37:41,860 --> 00:37:42,528
SHE WORKING.

1578
00:37:42,528 --> 00:37:43,395
RIGHT, YOU GOT HER

1579
00:37:43,395 --> 00:37:44,796
WORKING, [bleep] HER IN HER ASS

1580
00:37:44,796 --> 00:37:45,531
AND MAKING VIDEOS.

1581
00:37:45,531 --> 00:37:46,332
YEAH, YOU GOT THE BITCH

1582
00:37:46,332 --> 00:37:47,032
WORKING ALL RIGHT.

1583
00:37:47,032 --> 00:37:48,133
YOU STILL GOT YOUR PC.

1584
00:37:48,133 --> 00:37:49,835
5 BULL[bleep] PERCENT WHILE

1585
00:37:49,835 --> 00:37:51,136
YOU [bleep] DISRESPECT ME

1586
00:37:51,136 --> 00:37:52,604
WITH A [bleep] PROSTITUTE.

1587
00:37:52,604 --> 00:37:53,372
YOU WANT ME TO BE SATISFIED.

1588
00:37:53,372 --> 00:37:54,239
SHE'S NOT A PROSTITUTE.

1589
00:37:54,239 --> 00:37:55,407
YES, SHE IS.

1590
00:37:55,407 --> 00:37:56,342
THE BITCH IS A WHORE.

1591
00:37:56,342 --> 00:37:57,376
CAN WE JUST STOP NAME-CALLING

1592
00:37:57,376 --> 00:37:58,109
EACH OTHER--

1593
00:37:58,109 --> 00:37:58,977
TELL YOUR PROSTITUTE TO BE--

1594
00:37:58,977 --> 00:37:59,678
[bleep] YOU.

1595
00:37:59,678 --> 00:38:00,446
I'LL CALL THAT BITCH WHAT I

1596
00:38:00,446 --> 00:38:01,347
WANT.

1597
00:38:01,347 --> 00:38:02,481
MIMI SEES A LITTLE BIT

1598
00:38:02,481 --> 00:38:03,749
OF HERSELF IN HER WHEN SHE

1599
00:38:03,749 --> 00:38:04,683
WAS HER AGE.

1600
00:38:04,683 --> 00:38:06,518
AGGRESSIVE, GONNA GET IT

1601
00:38:06,518 --> 00:38:08,186
BY ANY MEANS NECESSARY.

1602
00:38:08,186 --> 00:38:09,020
YOU KNOW WHAT I'M SAYING?

1603
00:38:09,020 --> 00:38:10,221
SO IT'S LIKE, DAMN,

1604
00:38:10,221 --> 00:38:11,490
I KNOW THAT GIRL.

1605
00:38:11,490 --> 00:38:12,157
YOU GONNA GET LET THIS

1606
00:38:12,157 --> 00:38:13,359
BITCH DISRESPECT ME?

1607
00:38:13,359 --> 00:38:14,560
[bleep] YOU FOR THAT.

1608
00:38:14,560 --> 00:38:15,527
[bleep] YOU ALL THE WAY.

1609
00:38:15,527 --> 00:38:16,395
I DIDN'T LET HER DISRESPECT

1610
00:38:16,395 --> 00:38:17,062
YOU.

1611
00:38:17,062 --> 00:38:17,729
[bleep] YOU.

1612
00:38:17,729 --> 00:38:18,397
WHAT DID I SAY?

1613
00:38:18,397 --> 00:38:19,097
"YO, DISRESPECT HER."

1614
00:38:19,097 --> 00:38:20,265
THIS BITCH WANT TO CALL ME

1615
00:38:20,265 --> 00:38:21,600
A [bleep] MAID AND EVERYTHING

1616
00:38:21,600 --> 00:38:22,534
ELSE AND YOU NOT GONNA SAY

1617
00:38:22,534 --> 00:38:23,402
[bleep]?

1618
00:38:23,402 --> 00:38:24,069
IT WAS A JOKE.

1619
00:38:24,069 --> 00:38:25,103
SHE MADE A JOKE.

1620
00:38:25,103 --> 00:38:26,071
YO, CHILL.

1621
00:38:26,071 --> 00:38:26,872
THIS BITCH GONNA CALL ME

1622
00:38:26,872 --> 00:38:28,507
[bleep] MAID?

1623
00:38:28,507 --> 00:38:29,475
YOU GONNA SAY THE BITCH

1624
00:38:29,475 --> 00:38:30,509
IS JOKING?

1625
00:38:30,509 --> 00:38:32,678
SHE BIT ME ON [bleep] NECK.

1626
00:38:32,678 --> 00:38:33,745
YO, HOLD UP.

1627
00:38:33,745 --> 00:38:34,513
GONNA TELL ME THAT BITCH

1628
00:38:34,513 --> 00:38:35,847
IS JOKING?

1629
00:38:35,847 --> 00:38:37,383
YOU [bleep]!

1630
00:38:37,383 --> 00:38:39,250
HERE, HOLD UP, HOLD UP.

1631
00:38:39,250 --> 00:38:42,087
YOU [bleep]!

1632
00:38:42,087 --> 00:38:43,389
JOKING?

1633
00:38:43,389 --> 00:38:44,790
[bleep]!

1634
00:38:44,790 --> 00:38:45,624
GET THE [bleep] OUT OF HERE.

1635
00:38:45,624 --> 00:38:46,291
GO BE WITH YOUR BITCH,

1636
00:38:46,291 --> 00:38:46,992
YOU [bleep] WHORE.

1637
00:38:46,992 --> 00:38:47,859
CLEAN UP MY ROOM, MOLLY MAID.

1638
00:38:47,859 --> 00:38:49,895
BITCH.

1639
00:38:52,297 --> 00:38:52,964
THIS SEASON ON

1640
00:38:52,964 --> 00:38:54,400
LOVE and HIP-HOP: ATLANTA...

1641
00:38:54,400 --> 00:38:55,934
OH, MIMI!

1642
00:38:55,934 --> 00:38:56,735
DADDY'S HOME!

1643
00:38:56,735 --> 00:38:58,203
I CAN'T LIVE WITH YOU.

1644
00:38:58,203 --> 00:38:58,937
YOU CAN'T LIVE WITH ME?

1645
00:38:58,937 --> 00:38:59,838
I DON'T NEED YOUR APPROVAL

1646
00:38:59,838 --> 00:39:00,572
FOR ME TO MOVE ON.

1647
00:39:00,572 --> 00:39:01,440
OH, YES, YOU DO.

1648
00:39:01,440 --> 00:39:02,808
IF I DON'T GET MY MONEY,

1649
00:39:02,808 --> 00:39:03,675
YOU GOT TO A PROBLEM.

1650
00:39:03,675 --> 00:39:04,443
WHAT YOU GONNA DO?

1651
00:39:04,443 --> 00:39:05,744
LET'S TAKE IT ISSUE BY ISSUE.

1652
00:39:05,744 --> 00:39:06,778
DO I OWNS YOU?

1653
00:39:06,778 --> 00:39:07,613
YES.

1654
00:39:07,613 --> 00:39:08,480
CAN'T HAVE YOUR CAKE

1655
00:39:08,480 --> 00:39:09,881
AND EAT IT, TOO, SLEAZ.

1656
00:39:09,881 --> 00:39:10,749
YOU GOT TO PICK ONE

1657
00:39:10,749 --> 00:39:12,818
OR LET THEM BOTH LOOSE.

1658
00:39:12,818 --> 00:39:14,420
IT DON'T DO NOTHING

1659
00:39:14,420 --> 00:39:15,487
BUT SHAKE.

1660
00:39:15,487 --> 00:39:17,523
[slurps]

1661
00:39:18,690 --> 00:39:21,126
TOAST TO NEW BEGINNINGS.

1662
00:39:21,126 --> 00:39:22,327
IF THAT'S WHAT YOU WANT--

1663
00:39:22,327 --> 00:39:23,194
YOU DON'T EVEN HAVE A [bleep]

1664
00:39:23,194 --> 00:39:23,929
MAN.

1665
00:39:23,929 --> 00:39:25,431
YOU'RE ABSOLUTELY RIGHT.

1666
00:39:25,431 --> 00:39:26,932
I DON'T WANT ONE LIKE YOURS.

1667
00:39:26,932 --> 00:39:27,733
THAT'S WHAT I'M SAYING.

1668
00:39:27,733 --> 00:39:29,435
AND YOU WILL NEVER HAVE ONE.

1669
00:39:29,435 --> 00:39:31,437
IF IT'S NOT ABOUT K.MICHELLE,

1670
00:39:31,437 --> 00:39:32,738
SHE HAS TO MAKE IT ABOUT HER.

1671
00:39:32,738 --> 00:39:34,940
SAY HI TO EACH OTHER.

1672
00:39:34,940 --> 00:39:35,741
[snickers]

1673
00:39:35,741 --> 00:39:36,542
YEAH, I'LL BE READY.

1674
00:39:36,542 --> 00:39:37,909
PULL THAT RAGGEDY-ASS WIG OFF.

1675
00:39:37,909 --> 00:39:39,044
GET OUT OF MY FACE.

1676
00:39:39,044 --> 00:39:40,145
WE'RE SO SCARED.

1677
00:39:40,145 --> 00:39:41,112
STUNT, RASHEEDA,

1678
00:39:41,112 --> 00:39:41,813
BUT YOU WILL NOT WALK

1679
00:39:41,813 --> 00:39:42,781
THE STREETS OF ATLANTA.

1680
00:39:42,781 --> 00:39:44,683
[bleep] YOUR WIFE!

1681
00:39:44,683 --> 00:39:45,684
I THINK I'M PREGNANT.

1682
00:39:45,684 --> 00:39:46,752
WHOO!

1683
00:39:46,752 --> 00:39:47,819
THAT RIGHT THERE,

1684
00:39:47,819 --> 00:39:49,287
WE WILL NEED A BLOOD TEST.

1685
00:39:49,287 --> 00:39:49,955
SO WHAT YOU THINK,

1686
00:39:49,955 --> 00:39:50,722
I'M [bleep] AROUND?

1687
00:39:50,722 --> 00:39:52,691
WHAT ARE RAPPERS KNOWN FOR?

1688
00:39:52,691 --> 00:39:53,492
A'IGHT, WE KEEPING IT

1689
00:39:53,492 --> 00:39:54,259
MOVING.

1690
00:39:54,259 --> 00:39:55,827
ATLANTA'S ONLY HIP-HOP STATION.

1691
00:39:55,827 --> 00:39:57,362
YOUR FAVORITE DJ ON YOUR RADIO,

1692
00:39:57,362 --> 00:39:58,497
TRACI STEELE.

1693
00:39:58,497 --> 00:40:00,466
YOU TRY AND [bleep].

1694
00:40:00,466 --> 00:40:01,933
GONNA OPEN HIS [bleep] MOUTH!

1695
00:40:01,933 --> 00:40:02,801
GET OFF ME!

1696
00:40:02,801 --> 00:40:04,002
THEY WANT YOU FOR ONE THING.

1697
00:40:04,002 --> 00:40:05,471
YOU CHRIS BROWN DJ,

1698
00:40:05,471 --> 00:40:06,237
AND THAT'S WHY THEY WANT

1699
00:40:06,237 --> 00:40:07,072
TO [bleep] WITH YOU.

1700
00:40:07,072 --> 00:40:08,339
HAVE YOU NOTICED?

1701
00:40:08,339 --> 00:40:09,040
YEAH, I NOTICED.

1702
00:40:09,040 --> 00:40:09,775
YOU HAVE.

1703
00:40:09,775 --> 00:40:10,609
YEAH.

1704
00:40:10,609 --> 00:40:12,711
DO YOU WANT IT?

1705
00:40:12,711 --> 00:40:13,845
THAT'S THE WHOLE PORTION.

1706
00:40:13,845 --> 00:40:14,980
DO YOU WANT THE RING?

1707
00:40:14,980 --> 00:40:15,881
YOU SAY I'M YOUR FRIEND,

1708
00:40:15,881 --> 00:40:16,648
BUT YOU TREATED ME LIKE

1709
00:40:16,648 --> 00:40:17,849
A PIECE OF [bleep].

1710
00:40:17,849 --> 00:40:18,917
TAKE IT OR RESPECT IT.

1711
00:40:18,917 --> 00:40:19,818
I AIN'T RESPECTING [bleep].

1712
00:40:19,818 --> 00:40:21,052
I'M TELLING YOU HOW I FEEL,

1713
00:40:21,052 --> 00:40:22,053
SCRAPPY.

1714
00:40:22,053 --> 00:40:24,155
IF YOU LISTEN TO ME,

1715
00:40:24,155 --> 00:40:25,256
YOU'LL GET HIM BACK.

1716
00:40:25,256 --> 00:40:26,224
HOW MANY TIMES HAS SHE CALLED

1717
00:40:26,224 --> 00:40:27,225
ME A BITCH?

1718
00:40:27,225 --> 00:40:27,926
HUH?

1719
00:40:27,926 --> 00:40:28,794
HOW MANY TIMES?

1720
00:40:28,794 --> 00:40:29,995
HEY!

1721
00:40:29,995 --> 00:40:30,662
WHOA!

1722
00:40:30,662 --> 00:40:31,396
GET THE [bleep] OUT OF MY

1723
00:40:31,396 --> 00:40:32,063
HOUSE!

1724
00:40:32,063 --> 00:40:32,731
YOU WANT MY SON BY

1725
00:40:32,731 --> 00:40:33,865
YOURSELF, MAN.

1726
00:40:33,865 --> 00:40:35,433
AH!

1727
00:40:35,433 --> 00:40:36,101
I'M TRYING TO WORK

1728
00:40:36,101 --> 00:40:36,802
WITH THE BITCH.

1729
00:40:36,802 --> 00:40:37,603
LISTEN, I DON'T TALK

1730
00:40:37,603 --> 00:40:38,403
TO THE HELP.

1731
00:40:38,403 --> 00:40:39,270
SO YOU NEVER GONNA DO

1732
00:40:39,270 --> 00:40:40,171
A SONG WITH ME, JOSELINE?

1733
00:40:40,171 --> 00:40:41,106
THIS CONVERSATION IS OVER,

1734
00:40:41,106 --> 00:40:41,773
'CAUSE FOR REAL?

1735
00:40:41,773 --> 00:40:42,841
[bleep].

1736
00:40:42,841 --> 00:40:44,676
BITCH, GET OUT OF HERE, BITCH!

1737
00:40:44,676 --> 00:40:45,777
YOU SHOWED ME JOSELINE'S

1738
00:40:45,777 --> 00:40:46,612
PORN TAPE.

1739
00:40:46,612 --> 00:40:47,679
NO, ACTUALLY, I DIDN'T.

1740
00:40:47,679 --> 00:40:50,148
OH, MY GOD!

1741
00:40:50,148 --> 00:40:51,216
YOU GONNA CHECK THIS [bleep]

1742
00:40:51,216 --> 00:40:51,883
OR WHAT?

1743
00:40:51,883 --> 00:40:52,551
WHAT ARE YOU DOING?

1744
00:40:52,551 --> 00:40:53,819
SLEAZ, PLEASE.

1745
00:40:53,819 --> 00:40:55,487
[bleep] THAT BITCH.

1746
00:40:55,487 --> 00:40:58,389
YOU LOVE ME?

1747
00:40:58,389 --> 00:40:59,090
DO FAT GIRLS LOVE

1748
00:40:59,090 --> 00:41:02,227
CHOCOLATE CAKE?

1749
00:41:02,227 --> 00:41:06,397
WHERE DO YOU LIVE?

1750
00:41:06,397 --> 00:41:09,000
I LIVE IN ATLANTA.

1751
00:41:09,000 --> 00:41:09,768
YOU KNOW I COULD FIND YOU,

1752
00:41:09,768 --> 00:41:11,803
RIGHT?